Sassanian Bronze Ring with Ibex Gemstone

A heavy example modelled in the round with slender elongated trunk, thick neck and prominent horns, vestigial ears below; Anatolian workmanship. 1.32 kg, 19.2 cm



with Christie's, New York, 8 June 2001, no.363. Private collection, Europe. Accompanied by copies of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12414-226675. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Bulls with raised horns have been found in central Anatolian royal burials. Among the sacred animals found in the royal graves of Alacahöyük, the bull and the deer are always present. This simplified figure of a young and spritely standing bull recalls the Baltimore bull and other two examples in the Cleveland Museum of Art. Images of bulls were mounted on standards, used in battlefields or in religious processions, or like in the royal graves of Alacahöyük, they were used to decorate cult furniture or shrines.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder seal of Cornelian, 20 x 11 mm. On the right a deity is seated on a throne with a high back decorated with sparkling knobs. This deity holds an unidentified object in one hand while raising the other. Facing stands a worshiper raising the right hand with index finger extended, extending the left and with palm cupped. Between the two figures is a fire-bowl raised on a pole with fire burning in the pan. Three filling motifs serve as a terminal: the lunar crescent, a lozenge-shape, and a fish. This is a Neo-Assyrian seal in late drilled style. c. 750-600 B.C.'; supplied with a museum-quality impression. 4.11 grams, 19 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P1. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated March 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite, 26.5 x 15 mm. The design consists of two pairs of figures. The one consists of two standing figures: the one on the right is a deity, whether male or female is not clear, wearing a smooth hat and a long robe open at the front from which one leg projects. One hand is held at the waist, the other grasps a scimitar. Facing is a nude male figure holding a small bucket in one hand and a small vessel in the other, apparently to sprinkle water from the bucket. It is not known if this figures is meant as a human priest or a minor god. Between this pair in the sky are three dots. The other pair consists of a victor wearing dress that only reaches the knees. His feet are apart, and his one raised hand holds a weapon, while in the other is a seven-fold item, either meant as a revolving weapon, or as a 'multiple club'. (Some have suggested that it is a sling.) The victor's victim is kneeling, and turns back to face his oppressor and plead with raised arm. The victor's one foot rests on the leg of the victim so that he cannot escape. The identity of this victor is so far unknown. This seal is Old Babylonian, from southern Iraq or a neighbouring area, and dates from c. 1900 - 1700 B.C. Though there is some wear and corrosion, the whole design is clear.'; supplied with a museum-quality impression. 15.9 grams, 26 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in July 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.