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LOT 0375
Russian Wooden Icon of the Virgin of Kazan with Silver-Gilt Riza
CIRCA 1890 A.D.
12 3/8 x 10 5/8 in. (1.79 kg, 31.5 x 27 cm).
Head of Mary with gilded nimbus and russet-coloured veil, standing infant Jesus similarly nimbate with right hand raised in blessing gesture; the Virgin, with veiled head and mantle inclined towards Jesus, the head inclined left, wearing a red-gold maphorion mantle with elaborate golden saltires on the shoulders, over a dark blue robe; the infant facing away to left, supported on Mary's right arm, dressed in blue tunic and wrapped in a red orange shawl, right hand extended towards his mother; on right and left of the Virgin’s head Greek inscriptions 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God) and over the left shoulder of Mary inscription in Cyrillic 'Казанская Богоматерь Б.М.' (Mother of God of Kazan); over the child an inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); inside the nimbus of Christ three letters (only two visible) representing the continuous divine self-existence of Christ as God (O ѾN = The Only One who always exists); rectangular wooden board with mounting slots to sides; gilt oklad with draped head-covering and garments, filigree ornament to borders, openwork crown with inset red glass jewel and applied calligraphic panels with enamel detailing.
ProvenanceAcquired on the UK art market.
Private collection, London, UK.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12925-246336.
See Preobrazhensky, A., ‘The icon of the Virgin of Kazan: new data on the early history of its veneration and the most ancient copies (in Russian)’ in Чудотворный Казанский образ Богородицы в судьбах России и мировой цивилизации. Сборник докладов участников научно-просветительских чтений, (Miraculous Kazan image of the Mother of God in the fate of Russia and world civilization. Collection of reports of participants of scientific and educational readings, in Russian), Казань, 2018, pp.295-429.
FootnotesThis specimen most probably comes from a private aristocratic Russian household. It has a superb quality and consists of a refined representation of the Mother with the Child (Mother of the Consolation), of Kazan. The original icon prototype of this one, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.
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LOT 0375
Russian Wooden Icon of the Virgin of Kazan with Silver-Gilt Riza
Estimate £6,000 - 8,000€6,960 - 9,280 (for guidance only)$8,100 - 10,800 (for guidance only)
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Victorian and Later Gemstone Collection
19th-20th century A.D.Sold for (Inc. bp): £59
Comprising: a circular intaglio with leaping Pegasus on a baseline; a rectangular intaglio with a female bust; an oval intaglio with letter 'M'; an oval intaglio with a male head in profile. 8 grams total, 11-20 mm
Norfolk family collection, 1940s-1960s; thence by descent. -
Post Medieval Bronze Horse Head Finial
19th century A.D.Sold for (Inc. bp): £20
Comprising a disc flange with stem and lateral clip below, waisted base and horse-head modelled in the round with flying mane. 55 grams, 55 mm
From the collection of a Buckinghamshire, UK, collector established from the earlier 1960s. -
Dogon Iron Multiple Oil Lamp Stand
Circa 19th century A.D.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
Iron flat-section shaft with three tiered cross-bars, the two lowest each with five iron lamp-bowls to the forward face; above, a U-shaped bar with a lamp bowl at each upper end; top of the shaft developing to an anthropomorphic torso with ellipsoid head and two narrow arms raised vertically; chain around the neck with hand-forged extinguishing spoon; mounted on a square base; Dogon, Mali, workmanship. 6.25 kg total, 132 cm including stand
From the private collection of Dr Hans-Joachim Koloss, Berlin, Germany, 1975-2002. Gorny & Mosch, Munich, Germany, auction 279, no.410. Accompanied by a copy of the Gorny & Mosch invoice and illustrated catalogue listing. Accompanied by a copy of the German cultural export licence.
The figure is probably a Nommo, a primordial ancestral spirit in Dogon cosmogony. A Nommo is usually considered to be amphibious, hermaphroditic and fish-like. They are typically depicted in Dogon art with a humanoid upper torso, and a fish-like lower torso and tail.
