Loading, please wait...
Details
LOT 1897
Russian Orthodox Enamelled Bronze Travel Icon with the Old Testament Trinity
19TH CENTURY A.D.
2 3/8 in. (67.5 grams, 62 mm).
Depicting the Holy Trinity, represented by three winged figures, each with a three-prong staff, sitting on stools around a table with three cups, trees and the outline of a cathedral behind.
Provenance
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Literature
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.225, p.72, for similar iconography.
Footnotes
The subject is based on the traditional Russian interpretation of Genesis,18, in which three figures appear to Abraham at the oak tree of Mamre. The central figure is usually identified as Jesus Christ, while God the Father is on the right and the Holy Spirit on the left. The subject of the icon originated from a very famous 15th century painting by Andrei Rublev.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1897
Russian Orthodox Enamelled Bronze Travel Icon with the Old Testament Trinity
Estimate £120 - 170€140 - 200 (for guidance only)$160 - 230 (for guidance only)
RELATED LOTS
-
Icon with Riza of Entrance to Jerusalem
20th century A.D.Sold for (Inc. bp): £39
Painted on a wooden board and covered with a brass riza, with mounting panel to the reverse, depicting the entrance of Christ in Jerusalem on Palm Sunday riding a donkey; crowd within the city wall; followers of Christ in the gateway; Christ with golden nimbus and letters 'ω', 'C' reversed and 'Н'; Greek script title above reciting: 'Η ΒΑΙΦΟΡΟC (Βαϊοφόρος)' (the one who is riding the mule); the background with rocks, tree and the walls of Jerusalem; arabesque decoration to the borders and corners; accompanied by a wooden stand. 762 grams total including stand, Icon: 30.5 x 22.5 cm
Ex David Miller, Hemel Hempstead, London, UK. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The scene represents a well-known part of the Gospels that describe the entry of Jesus into Jerusalem. He makes a grand entrance into the city on a donkey to fulfil the prophecy of Zechariah, “Tell the city of Zion, look, your king is coming to you! He is humble and rides on a donkey and on a colt, the foal of a donkey.” The scene is synthetized in the Greek expression ‘Βαϊοφόρος'. -
Post Medieval Bronze Cross Pendant
17th-19th century A.D.Sold for (Inc. bp): £13
Flat-section pendant of a two-barred cross with low-relief Corpus Christi to obverse; Mary to reverse. 4.64 grams, 39 mm
Ex P Chapman collection, 1980s-1990s. -
Post Medieval Silver-Gilt Ring with Cross Gemstone
16th-18th century A.D.Sold for (Inc. bp): £104
Raised pellets to the hoop and shoulder, drum-shaped bezel with inset carnelian cabochon, incuse quatrefoil motif. 4.83 grams, 28.24 mm overall, 20.33 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)
S. Hadida collection, North London, UK. From the property of a late Lincolnshire, UK, gentleman.
