Loading, please wait...
LOT 2090
Russian Orthodox Enamelled Bronze Travel Icon with Saints Zosima and Sabbas
CIRCA 1820 A.D.
3 1/2 in. (108 grams, 88 mm).
Depicting Saint Zosima and Saint Sabbas in front of the Solovetsky Monastery; both nimbate and dressed inAbbot’s garments, holding the model of the monastery offered to God, represented in the sky as a dove upon a cloud; arabesque frame; inscriptions in Old Slavonic with the names of the saints.
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Matthieson, S., Morrison, G., Heavenly Beings, Icons of the Christian Orthodox World, Auckland, 2022, p.66, for a similar icon.
FootnotesSaints Zosima and Sabbas or Sabbatius were highly venerated Orthodox saints, founders of the Solovetsky Monastery, a fortified monastery located in the White Sea in Northern Russia. This double portrait shows Zosima and Sabbas holding up a model of their religious institution, which resembles a small medieval city. Solovetsky Monastery obtained big investments from the city of Novgorod and established itself as one of the richest monasteries in Russia.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 2090
Russian Orthodox Enamelled Bronze Travel Icon with Saints Zosima and Sabbas
Estimate £120 - 170€140 - 200 (for guidance only)$160 - 230 (for guidance only)
-
Bronze Roman Coin and Framed Limited Edition Print
3rd century A.D. and laterSold for (Inc. bp): £13
The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 169/1150. 1.26 kg, 49.5 x 37.5 cm
UK gallery, early 2000s. Accompanied by a previous certificate of authenticity.
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist. -
Eastern European Orthodox Bronze Cross Pendant
17th-18th century A.D.Sold for (Inc. bp): £52
Cross pommy type with low-relief cloisonné ornament. 3.06 grams, 41 mm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s. -
Silver Memento Mori Skull Pomander
17th century A.D.Sold for (Inc. bp): £6,240
Hollow-formed with openwork eyes and nasal cavity, hinge beneath the lower jaw which opens to reveal six compartments with internal 'lid' engraved with the names of six fragrances: 'Rosen, Citron, Schlag, Rosmarin, Negeln, and Canel', the other side to contain a sponge soaked in the perfumed oils and spices, a short length of chain suspended from the top of the skull. 25.4 grams, 38 mm
Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13004-246014.
Originally a talisman to ward off sickness and noxious odours, this item of jewellery could be worn around the neck or suspended from a belt. The Pomander scent carrier, with chambers for the herbs and spices, was popular in England and on the continent during the 16th and 17th centuries. Intended to protect the wearer from sickness, it was designed to be worn around the neck or waist on a rope by wealthy aristocrats.