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LOT 2093
Russian Orthodox Enamelled Bronze Travel Icon with Anastasis
19TH CENTURY A.D.
4 3/8 in. (200 grams, 11 cm).
With blue, yellow, white and green enamel, representing the Anastasis (Resurrection of Christ); the Saviour represented on two registers, in the upper one (Resurrection) emerging from the grave, surrounded by the hesychastic light, with the Roman soldiers falling asleep, and the apostles and a cherubin beside him; in the lower register (Descent into Hades) Christ surrounded by the same divine light, leading the people from the Limbo, Adam and Eve, King David and Salomon and other souls to heaven; the frame decorated with gilt arabesques on blue enamel, inscriptions in Old Slavonic at the top.
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.006, p.43; 055 p.47; 057p.48, for similar iconography.
FootnotesThe iconography is typical of the Anastasis or Resurrection of Christ, with the gates of Hades broken under the feet of the Christ, echoing the phrase: 'Christ is Risen From the Dead, Trampling Down Death by Death, and Upon Those in the Tombs Bestowing Life!'
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LOT 2093
Russian Orthodox Enamelled Bronze Travel Icon with Anastasis
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
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Egyptian Style Stone Amulet Group
20th century A.D.Sold for (Inc. bp): £26
Various forms, including stylised sun disc on pedestal, full moon with crescent, and shen sign. 11.9 grams total, 10-21 mm
with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016. -
Painted Wooden Icon with the Virgin of Tenderness
Russia, 16th-17th centuries A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Executed in oil and tempera with painted image of nimbate Mary embracing the nimbate infant Jesus; head of Mary with gilded nimbus and russet-coloured veil; the Virgin is shown in half length, wearing a red-gold fringed maphorion with elaborate golden saltires on the shoulders, over a dark blue robe, visible only on the gold embroidered cuffs; the child touching his mother's chin, holding a furled scroll in his left hand and dressed in blue tunic and wrapped in a gold-orange shawl; on upper left of the Virgin’s head Greek inscriptions 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God) and beside the Divine Child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); inside the nimbus of Christ three letters (only two visible) representing the continuous divine self-existence of Christ as God (O ѾN = The Only One who always exists); rectangular wooden board with mounting slots and bar to reverse. 1.78 kg, 45 x 35.5 cm
Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12928-246333.
This splendid specimen comes most probably from an ancient private aristocratic Russian household. It has a superb quality and consists in a refined representation of the Mother of God known as Eleousa (Umilyenie in Russian), in which the Virgin tenderly embraces the Christ Child. Characterised by an affectionate embrace of Mary and the Christ Child, the image combines the themes of maternal love and the Passion of Christ. -
Silver Memento Mori Skull Pomander
17th century A.D.Sold for (Inc. bp): £6,240
Hollow-formed with openwork eyes and nasal cavity, hinge beneath the lower jaw which opens to reveal six compartments with internal 'lid' engraved with the names of six fragrances: 'Rosen, Citron, Schlag, Rosmarin, Negeln, and Canel', the other side to contain a sponge soaked in the perfumed oils and spices, a short length of chain suspended from the top of the skull. 25.4 grams, 38 mm
Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13004-246014.
Originally a talisman to ward off sickness and noxious odours, this item of jewellery could be worn around the neck or suspended from a belt. The Pomander scent carrier, with chambers for the herbs and spices, was popular in England and on the continent during the 16th and 17th centuries. Intended to protect the wearer from sickness, it was designed to be worn around the neck or waist on a rope by wealthy aristocrats.
