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LOT 1958
Russian Orthodox Bronze Cross with Prayers
19TH CENTURY A.D.
4 3/8 in. (65.4 grams, 11.1 cm).
Depicting the Saviour on the cross, the titulum inscribed in Cyrillic ‘Jesus of Nazareth, King of the Jews’; long inscriptions in Old Church Slavonic and traditional elements of the ‘Stavrosis’ surrounding the cross: sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, and the walls of Jerusalem; on the upper part of the cross, angels with cloth-covered hands and over them a frontal view of the torso of God with his arms raised above clouds; inscribed prayers in Old Church Slavonic and file marks on the back of the casting. [No Reserve]
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.003-4., p.42, for similar iconography.
FootnotesOrthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Painted Wooden Icon with the Virgin of Vladimir
Russia, 18th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £600
With veiled head and wearing a fringed golden maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her right hand; monograms and titling, on each side of her head 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), over the child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ), three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); rectangular wooden board with mounting bar to reverse; Moscow School; old label on the back with inscription in Dutch 'A209 Moeder Gods van Wladimir'. 1.3 kg, 35.7 x 31 cm
Acquired on the UK art market. Private collection, London, UK.
The original icon prototype of these smaller icons was the icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of Russia, which was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace. -
Chinese Archaic Style Bronze Vessel
20th century A.D.Sold for (Inc. bp): £117
Drum-shaped pan with ring to the equator and three curved legs, square loops to the rim, domed lid with three loops; dense low-relief cloud pattern. 2.66 kg, 25.5 cm wide
Ex West Country, UK, collection, 1990s, and Desmond Morris. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
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Pair of rectangular buckle plates, each with attachment bar and hook to the reverse, one with inlaid brass scene with bird and frond. 315 grams total, 90-92 mm
Acquired on the UK art market. Private collection, London, UK.
