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LOT 0190
Romano-Celtic Bronze Statuette of a Warrior Wearing Torc
CIRCA 1ST-2ND CENTURY A.D.
2 5/8 in. (53 grams total, 67 mm).
Modelled in the round, standing with right leg bent, right arm raised and left extended before the body; with thick tousled hair, exaggerated torc to the neck, jacket with incised vertical lines, tight-fitting trousers and ankle-boots. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Durham, E., Metal Figurines in Roman Britain, vol. 2, Reading, 2010, pl.124; Caesar (translated by S. A. Handford) The Conquest of Gaul, (1982), (Penguin Classics).
FootnotesThe pose of the figure suggests that he is in the action of brandishing a weapon, or possibly holding the reins of a team of horses pulling a chariot. Caesar mentions the expert use of the war-chariot by the Britons (Conquest of Gaul, IV.33). The padded garment suggests a Celtic auxiliary in the Roman army.
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AUCTIONS:
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LOT 0190
Romano-Celtic Bronze Statuette of a Warrior Wearing Torc
Sold for (Inc. bp): £390
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Roman Gold Ring with Mani in Fede Gemstone for Aiax
2nd century A.D.Sold for (Inc. bp): £1,950
Comprising a hollow-formed hoop with rounded shoulders, inset garnet intaglio with clasped hands and 'AIAX' inscription. 2.79 grams, 21.00 mm overall, 14.90 mm internal diameter (approximate size British E, USA 2 1/4, Europe 2.41, Japan 2)
Acquired in Europe in 1992. with Million Cornette de Saint Cyr, Hotel Regina, 12 December 2009. European private collection.
The Romanised name 'Aiax' is given to the hero Αἴας of the Trojan war, who carried off the body of Achilles and fought Hector. The subject of two clasped hands (dextrarum junctio) symbolising the fides (loyalty, trust), was very popular on Roman rings and gems. It was mainly used on marriage rings, sometimes with the equivalent Greek inscription 'OMONOIA'. Sometimes it was used in terms of military loyalty between commander and army. In this case it is most probable the name of the groom (AIAX). -
Roman Plate Brooch and Ring Fragments
1st-4th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £22
Including an equal-ended plate brooch, finger ring and fragments. 13.6 grams total, 12-33 mm
Acquired between the 1960s-early 1990s. From an old UK private collector from Worthing, West Sussex, UK. Property of K.P., a Cornish lady collector, UK. -
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Roman Terracotta Oil Lamp with Head of Medusa
2nd century A.D.Sold for (Inc. bp): £221
Mould-made with convex shoulder separated from the concave discus by a narrow band of triangles and ovules, single groove around the discus, lower filling-hole, burn marks on the nozzle, flat undefined base, discus decorated with the head of Medusa within a laurel. 50 grams, 86 mm
Fine condition.
German collection formed since 1970. Acquired on the UK art market. Property of an Essex gentleman.
A Loeschcke VIII variant. The form and decoration suggest a Hadrianic date, at which time Medusa was one of the most popular subjects depicted on lamps. In ancient mythology, Medusa was one of three monstrous winged female creatures who had venomous snakes living in her hair. The story of Medusa is elaborated by the Roman poet Ovid in his Metamorphosis, which explains that Medusa was a beautiful woman until she had sex with Poseidon in Athena’s temple. Athena exacted punishment on Medusa, turning her into a monstrous creature with a glare that turned all who gazed into her eyes to stone. Medusa was eventually beheaded by the Greek hero Perseus, who used her head as a weapon which, even after being hewn from Medusa's body, could turn his enemies to stone. Perseus later presented Medusa's head to the goddess Athena, which she in turn weaponised, placing it on her shield. In classical antiquity, representations of the head of Medusa appeared in the apotropaic device known as the Gorgoneion, designed to ward-off evil and bad luck.
