Romano-British Enamelled Bronze Horse and Rider Brooch

Each composed of shell-shaped body with a D-shaped lug to reverse, the lug with tapering spike to the centre. 343 grams total, 12.5 cm each



Private collection, Rosenheim, Germany, 1960s.

This pair could have been used as a double key or door lock, based on comparison with some keys from the territory of Gaul (Boucher, 1971, pp.200-201). They comprised a strong ring with polygonal-section stem and a rectangular point.

Cuboid with ring-and-dot markings disposed: 1:6, 2:5, 3:4. 2.54 grams, 12 mm



From a collection of gaming items, formed 1980-1990s.

Modelled in the round in kneeling pose, nude, with the fingers of his left hand spread across his bent knee, head turned to the right and slightly tilted upwards; two large dorsal wings spread; the face fleshy with small eyes and nose, the hair with a wreath of curls framing the face; attachment panel behind the shoulders; mounted on a custom-made display stand. 1.38 kg total, 19 cm wide



Ex F. Philips, Netherlands, before 1980s. with Jan Roelofs Antiquaries, Netherlands. Acquired on the European art market, 2023. Private collection, London. Accompanied by an academic report by Prof. Neritan Ceka. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12930-245218.

The image of the winged Eros held a special significance in Roman culture, embodying not only the god of love but also the elegance, refinement, and sophistication of the Classical tradition. His wings symbolised the fleeting nature of passion, while his youthful form carried connotations of vitality and beauty. To incorporate Eros into the decoration of luxury objects was to invoke divine favour and to align oneself with the cultivated ideals of the Graeco-Roman world. Bronzes of the 1st century A.D. represent the height of Roman metalworking, when elite households and sanctuaries commissioned works of remarkable artistry. Fittings such as this, finely cast and intended for a prestigious vessel, were both functional and symbolic: practical elements elevated to expressions of status and taste. Surviving examples are a testament to the technical mastery of Roman workshops and the desire of their patrons to surround themselves with imagery of the gods in even the smallest details of daily life.