Romano-British 'Colchester' Samian Ware Sherd

The discoid body formed as an openwork monogram ROMA in Latin letters, the M and A ligated, the O formed by the brooch frame itself; ROMA also a palindrome for AMOR. 13.9 grams, 32 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

The brooch is engraved with stylised letters ‘RMA’. When viewed from the default side, RMA + the circle of the brooch form a monogram for ‘Roma’. Roma refers to both the city and its divine personification, the Dea Roma. When RMA is read from right to left (or the brooch is viewed from the opposite side), the letters form a monogram for ‘AMOR’, the Latin name for Cupid, the god of love. The phrase pertains to Roma-Amor, a widely recognised palindrome espousing Roman wordplay in the ancient times.

Two with intaglio standing figure, one with a dolphin and one with a scarab. 1.2 grams total, 8-10 mm



From the Altstetton collection, Switzerland, 1969.

With C-section profile to the blade, rectangular handle with flare to the upper end, old notch to one edge, repaired. 46 grams, 19 cm



Ex collection Dr. Kuhn-Lucht, Germany. with Kölner Munzkabinett, Cologne, before 2016. Private European collection.

An emblematic instrument of the ancient sporting world, the strigil was mainly used by athletes as a scraper for personal hygiene. After training, which took place in the gymnasiums on tracks and arenas covered with sand, athletes and young people rubbed their skin with olive oil. They then used one of these distinctive scrapers remove the sand-oil mixture before washing in water. These actions are reproduced on famous statues (including Apoxyomenos, one of Lysippus’ masterpieces), on reliefs (such as funerary steles) as well as on countless vase paintings. In Attic and Italian red-figure imagery, the strigil is often depicted on perfume vases, like the aryballos and alabastron.