Roman Votive Hand to God Sabazios

Comprising a quantity of mixed beads, mainly oblate and cylindrical in form, including glass, modelled, faience and stone etc. 58.5 grams total, 1-14 mm



UK gallery, early 2000s.

The use of amber beads as amulets in the Roman world is well attested, even in Britain (series of bracelets have been found in late Roman graves at Cirencester and Colchester). The amber beads were associated with pierced coins, pierced dog’s teeth and a lunate pendant. Pliny said that amber was beneficial to infants ‘when attached to the body in the form of an amulet'.

From a Greek original, wearing a crown of leaves and corymbs, hair falling in straight lines underneath the diadem; full beard composed of four rows of thick tufts with drilled holes; slightly open mouth with a fleshy lower lip; low cheekbones and hollow cheeks; large almond-shaped eyes with lachrymal duct; mounted on a custom-made display stand. 15.8 kg total, 48 cm high including stand



Ex private French collection, early 1960s. Acquired by the current owner in 2011. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. Accompanied by a copy of a French cultural passport no.129940. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12086-213624.

The head finds comparable parallels with a series of herms representing philosophers, lyricists and the god Hermes, deriving from Greek originals of the 5th century B.C. The reworking of these typologies in a cultured environment is due to the diffusion of sculptures linked to the idea of speculative otium and withdrawal into the bucolic world of which Dionysus was guardian and protector. The typology of the representation associates him with the concept of continuous rebirth and fertility of nature, typical of Dionysus Lenaeus.

Lug handle to rear, deep discus with a dome filling hole, another filling hole to the side; wide shoulder with low-relief laurel wreath; low basal ring and incised maker's mark in Greek letters (ΗΙϹΧΛ). 138 grams, 11.8 cm



Acquired on the European art market, 1980s. English private collection.

This form of lamps is characterised by their shoulder decoration - a laurel wreath. This decoration may be treated realistically or be stylised. Both groups appear on lamps found in Italy. The hypothesis that they might only be African imports is contradicted by the signature on many lamps of L.C A E S A E, a prolific Italic lamp maker (late Antonine and early Severan); his products are scarce in North Africa.