Roman to Medieval Bronze Ring Group

With piriform lower body, extended cylindrical neck and flange rim; iridescent surfaces. 31.4 grams, 10.1 cm



From a London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This toilet bottle (Clairmont balsamarium type F) is characterised by the cylindrical neck with slight constriction at the bottom. Similar examples have been found in the Wadi Eshari, Jordan (Wadi-Es-Sir).

Formed as a parallelepiped with round corner having a possibly later polished side and the other three sides straight and round, with signs of carving; probably from an Imperial sarcophagus or monument; mounted on a custom-made stand. 9.85 kg total, 36.5 cm including stand



Acquired from the private collection of a Somerset gentleman who was related to Sir Arthur Evans. From the private collection of a UK gentleman since before 2005.

For the Romans, porphyry was the Imperial marble par excellence, and from Constantine the Great until the end of the 5th century, but probably also later, it was used to create sarcophagi for the emperors and members of the Imperial families. This particular stone was connected with the Imperial family because of its red colour, recalling the violet and red shades of the purple (porphyra), the precious colour assigned only to emperors and their relatives. In Constantinople, a room of the Imperial palace was called Porphýra, located on one of the palace terraces overlooking the Sea of Marmara and the Bosphorus. It was perfectly square in shape with a pyramidal ceiling and was entirely covered in purple porphyry speckled with white dots: this was the room where the empresses gave birth to the heir of the Roman Empire, called Porphyrogénnētos, meaning ‘born in the purple room’. Porphyry was widely used for building churches in the Christian Empire, and Justinian exhausted the supplies from Egypt by building the Great Church of Hagia Sophia, where still today a great amount of this material can be seen. The impressive Imperial sarcophagi were kept in the Church of the Holy Apostles, as well as the great porphyry sarcophagus of Constantine the Great, of which only a small fragment survives today in the Archaeological Museum of Istanbul.

Mould-made, the round handle absent, deep body, broad outward-sloping shoulder with grapes and vine decorations, separated from concave discus by two thin circular ridges with a groove between, central filling-hole, short round-tipped nozzle with two volutes on flat space between the discus edge and wick-hole, base marked by three circular grooves. 58 grams, 94 mm



From the collection of Mr W.A. Stewart, Director of School of Arts and Crafts, Cairo, 1919-1929. Acquired Christie's, London, Antiquities, Works of Art and Important Renaissance Bronzes, Plaquettes and Limoges Enamels, 8 July 1981, no.126 (part). From a private Wiltshire, UK, collection. Accompanied by a copy of the relevant Christie's catalogue page.

The lamp belongs to the Loeschke type VIII, eastern variants. These lamps appeared in the second half of the 1st century but were long-lived, for a number have been found in a 3rd century A.D. context in the necropolis of Beth Shearim. Whether this decor of typical double volutes was devised by lamp makers in Asia Minor or Attica, and who influenced whom, is not yet possible to determine. But it is worth signalling the use of this decor as anchored in the eastern part of the Mediterranean.