Roman Terracotta Piriform Storage Vessel

With a hollow-form hoop expanding at the shoulders, raised bezel set with a dark blue nicolo intaglio engraved with a pair of birds, one standing and the other stooped to pick something from the ground with its beak. 5.75 grams, 25.12 mm overall, 14.69 x 18.30 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



From the collection of late AB, London, UK, 1990s. Accompanied by a previous catalogue information slip.

The type of ring (type II, variant I of Ruseva-Slokoska classification) is characterised by the ellipsoid hoop, rounded on the outside, widening to a horizontal triangular shape. The nicolo was often employed in rings of the 2nd-3rd century A.D.

Aqua-glass perfume bottle with applied rim to the mouth, bulbous lower body and pontil base. 27.5 grams, 10.1 cm



Acquired 1980-2015. Ex Abelita family collection.

Modelled in the round, Venus standing nude with hands raised to dress her hair; dorsal pillar pierced at shoulder height for suspension. 4.9 grams, 40 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The iconography of Venus Anadyomene was one of the most commonly used images of the goddess in classical sculpture, and was still popular during the late Roman Empire. The best example of this is the Louvre Venus Anadyomene (Ma 3537) of the 4th century A.D., found in the 19th century at Saint George de la Montagne near Bordeaux, inside a rich aristocratic house and coming from Aphrodisias, an ancient place of statuary production for export.