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LOT 0136
Roman Terracotta Lion Rhyton
LATE 2ND-EARLY 3RD CENTURY A.D.
8 in. (1.5 kg total, 20.5 cm high including stand).
Modelled naturalistically in the round in an advancing pose with face, muzzle and tooth detailing within the open mouth, the tufts of the animal's mature mane individually rendered; filling hole on the back; the mouth open acting as a spout; North African workmanship; mounted on a custom-made display stand.
Provenancewith Sotheby’s London, 9 December 1994, no.221.
Accompanied by an academic report by Dr Raffaele D’Amato.
Accompanied by copies of relevant Sotheby's catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11797-206532.
Cf. Richter, G.M.A., Animals in Greek Sculpture, Oxford, 1930, pp.3ff; Toynbee, J.M.C., Tierwelt der Antike, Mainz-Rhine, 1983, pp.54ff.; Padgett, J.M. (ed.), Roman Sculpture in the Art Museum Princeton University, Princeton, 2001, p.257, no.97; Liverani, P., Spinola, G., Vaticano, La Sala degli animali nel Museo Pio-Clementino, City of Vatican, 2003.
FootnotesThe lion was famously featured in many ancient myths, perhaps the most famous being that of Hercules (Herakles) slaying the Nemean lion for his first labour, but it was also linked with the cult of the goddess Cybele, where it is usually represented sculptured in relief on either side of her throne.
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LOT 0136
Roman Terracotta Lion Rhyton
Estimate £5,000 - 7,000€5,800 - 8,120 (for guidance only)$6,750 - 9,450 (for guidance only)
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Roman Decorated and Inscribed Animal Hilt
3rd-4th century A.D.Sold for (Inc. bp): £715
Openwork rectangular bifacial dagger- or knife-hilt with lobe pommel and blade-socket; Side A: two rectangular openwork panels, above an inverted openwork inscription 'VTERE FELIX' and below two opposed running hounds; Side B: two opposed running hounds above inverted inscription: 'CONSTANTI' (use [this] with good fortune for Constantine). 87 grams, 11 cm
Private collection 1990s. Ex London, UK, gallery. -
Romano-Celtic Bronze Statuette of a Warrior Wearing Torc
Circa 1st-2nd century A.D.Sold for (Inc. bp): £390
Modelled in the round, standing with right leg bent, right arm raised and left extended before the body; with thick tousled hair, exaggerated torc to the neck, jacket with incised vertical lines, tight-fitting trousers and ankle-boots. 53 grams total, 67 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
The pose of the figure suggests that he is in the action of brandishing a weapon, or possibly holding the reins of a team of horses pulling a chariot. Caesar mentions the expert use of the war-chariot by the Britons (Conquest of Gaul, IV.33). The padded garment suggests a Celtic auxiliary in the Roman army. -
Roman Bronze Folding Tripod Table with Busts of Bacchus and Panther
2nd century A.D.Estimate: £25,000 - 35,000 (‡+bp*)
Opening Bid: £11,111
With three extendable legs each topped with bust of Bacchus, his long hair collected in a crown of vine leaves and branches, wearing a panther skin exomis; the feet formed as feline paws; the middle part of the frontal leg formed as an S-curve topped with a panther's head with open jaws. 9.9 kg, 101 cm
Traces of gilding over all the whole surface, fine condition, restored, excessively rare.
Ex collection of Dr Djafari (1900-1981), Kaiserslautern, Germany. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11801-206499.
Folding tripod stands were well known in the ancient world, in both Greek and Roman contexts. These folding supports for tables, bracers and cauldrons are known finds from important excavations in the Roman world, like Pompeii. The purpose of such folding stands varied: during the meal they were placed between the triclinary beds, and bowls and application plates were hung to the hooks at the back of the holders, here shaped like the heads of a Bacchus. They were also used for the fire in military encampments, or in the temples of the gods. Others were used as the support frames for bronze bowls, either for washing or for ritual purposes. Many were offered as funerary gifts, like the splendid example in the chariot grave of Környe. Roman folding tripods were also used in religious rituals (here clearly linked to the cult of the god of wine, as shown by the presence of panthers) and sacrifices. Burnt offerings and libations were offered to the gods in cauldrons that would have been attached to the hooks behind the heads on the upper section.
