Roman Terracotta Double-Handled Jar

One with lug handle to rear, discus with filling hole and central panel with high-relief standing figure holding a bow, radiating border to the shoulder; basal ring; one squat with drum-shaped body. D-shaped nozzle, single lateral lug, flared base. 176 grams total, 84-92 mm



Private UK collection. Acquired in the 1980s. Property of a Cambridgeshire gentleman.

An extremely rare aulos or tibia with round-section body, six circular holes to one side and a D-shaped hole to the reverse. 87 grams, 23 cm

Fine condition. Extremely rare.

From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11055-184396.

The flute was used for religious ceremonies and for entertainment. The pyrrhic, a war dance of Doric origin, was a rapid dance to the double flute, and made to resemble an action in battle.

Fragment of a terracotta votive statuette representing a ram, detail to the horns, ears and fleece; set with a suspension ring on the reverse. 50 grams, 77 mm wide



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

Many figurines of this type have been found in the Hellenised Roman provinces of the east and one identical in the Athenian Agora. They are all rendered with incisions that are characteristic of the technique of the late fourth century. Many similar examples were found in the Kerameikos and some are in the National Museum of Archaeology, Athens. A similar technique is observable in the handles representing animal heads which occur on red pottery ornamented with white paint.