Roman Style Gold Ring with Portrait Gemstone

With polychrome enamel in green, blue and yellow, framed by a square border with pointed doom, representing Saint Julyttas and her son Cyricus, surrounded by Saints; on the top, Christ Pantokrator, nimbate, making the gesture of blessing and holding a Gospel, seated upon a cloud and surrounded by Cyrillic letters 'ΙC ΧΡ' (Jesus Christ); Cyrillic inscriptions above some of the saints. 325 grams, 13.5 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

Made of bronze with brightly coloured enamels, this icon was intended for private devotion, often carried by pilgrims and Orthodox believers for spiritual protection. St. Julyttas and her son Cyricus (Ки́рик и Иули́тта), among the most venerated figures in Russian tradition, are depicted in the centre, surrounded by other saints, a symbol of the communion of the righteous.

With D-section tapering hoop, black enamel finish with reserved rosettes and tendrils, the bezel an ornate heater shield with reserved text 'In memory OE' and copperplate engraving to the inner face '1852 / obt.63', 'Mrs.Sarah Hems, obt.26 May' and stamped assay marks: crown, '18', leopard's head, gothic 'k' in octagonal panel (dated to 1845). 4.14 grams, 22.74 mm overall, 17.43 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired on the UK art market. Property of an East Sussex collector.

Comprising a painted board with mounting panel and slots to the reverse, gessoed surface with painting of St John the Baptist standing nimbate with wings spread behind him, left hand supporting a bowl containing his severed head and holding an unfurled scroll with Cyrillic text 'Repent ye, for the Kingdom of Heaven is at hand,' (Matthew 3:2); right hand raised in blessing; landscape with sand-dunes and trees; gilded title above; the upper border with gilt Slavonic inscription reading 'Holy John the Forerunner'; from the Palekh Icon School, probably made in Mstera circa 1890. 1.02 kg, 31 cm high

Fine condition.

Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.11546-196366.

The Palekh icon school emerged in the 17th century, inspired by the Moscow and Suzdal traditions of icon painting. Although preserving many features of traditional Russian iconography, the school created its own style that remained active into the 18th century. The hallmarks of the school include the frequent use of gold on the clothes of the saints and a rich palette. Bodies are shown as tall and slender and abrupt transitions between light and shadow are distinctive features of Palekh icons. The wings of Saint John derive from the double meaning of the Greek word used to describe him in Mark 1:2 - Angelos, meaning both messenger and angel. John is often called a 'Heavenly Man' and 'Earthly Angel' in Orthodoxy. At his feet is shown a small tree with an axe cutting into it, illustrating Luke 3:9, 'And now also the axe is laid unto the root of the tree...'