Roman Silver Votive Plaque with Hercules

Translucent pale green vessel with wide foot and dimpled base, tapering stem and flared rim. 130 grams, 95 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Fusiform with reserved legend 'LXIII' (for LEGIO XIII = 13th Legion). 55.9 grams, 41 mm



Acquired on the UK art market. Property of a gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The shot (Völling type 1C) is marked with the abbreviated name of Legion XIII, and was probably used at the Battle of Munda (or Monda) against Julius Caesar, 17th March 45 B.C., or against the sons of Pompey, because both the generals (Pompey sons and Caesar) had in their army a Legio with the numeral XIII on that day. Interestingly, other glandes of the same typology from the same battlefield bear the name of Pompey, so that it is much possible that the glans belongs to the Legio XIII of Pompey, who was destroyed during the battle and whose survivors were massacred among the 22,000 defenders of Cordoba by the troops of Caesar (D'Amato, 2021, pp.421 and 424). The projectiles were made of different materials: lead (glandes) or in pottery or stone (lapides missiles).

Blue glass disc with white glass past overlay imitating onyx, showing the nurturing of baby Dionysos, raised by nymphs on Mount Nysa: the infant god standing on the lap of a nymph, another standing right, Silenus standing left and leaning in on the scene, a tree in the background; set into a later gold setting with applied wire scrolls and tendrils on the sides with an applied filigree band below, wide loop above fronted by an applied decorative plaque set with a garnet cabochon. 21.36 grams, 48 mm



Private collection of a London gentleman, acquired between 1965-2020. Accompanied by an academic report by Dr Ittai Gradel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12680-235465. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Dr Ittai Gradel writes: 'Cameos with Dionysiac motifs were especially popular in the mid- to later first century BC, and the prolific workshop of the gem carver Sostratos specialized in such motifs (see I. Gradel, ‘A tale of two fragments: a Sostratos cameo reconstructed’, The Burlington Magazine 162 (March 2020), 181-87). The original, lost stone cameo, from which this glass version was cast, belongs in this period and ambience. The glass cast was presumably contemporary with the original cameo, possibly slightly later, but the glass is in any case clearly ancient (corrosion, iridescence).'