Roman Silver Ring with Minerva

Modelled in the round leaping and winged, his right hand reaching above his head seemingly gesturing to retrieve arrows from a quiver once carried on his back, dressed in an exomis tunic leaving him naked below the torso, wearing a helmet or cap and ankle boots. 403 grams, 16 cm high



Acquired in Europe before 1994. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11808-206795.

Often the statues of puttos or amorini (small loves) depicting personifications of Eros were covered with gold leaf. This was a frequent practice and the figures, when represented with wings, were known as chrysopteroi, meaning 'with golden wings'.

Lug handle to rear, deep discus with a dome filling hole, another filling hole to the side; wide shoulder with low-relief laurel wreath; low basal ring and incised maker's mark in Greek letters (ΗΙϹΧΛ). 138 grams, 11.8 cm



Acquired on the European art market, 1980s. English private collection.

This form of lamps is characterised by their shoulder decoration - a laurel wreath. This decoration may be treated realistically or be stylised. Both groups appear on lamps found in Italy. The hypothesis that they might only be African imports is contradicted by the signature on many lamps of L.C A E S A E, a prolific Italic lamp maker (late Antonine and early Severan); his products are scarce in North Africa.

With a hollow-form hoop expanding at the shoulders, raised bezel set with a dark blue nicolo intaglio engraved with a pair of birds, one standing and the other stooped to pick something from the ground with its beak. 5.75 grams, 25.12 mm overall, 14.69 x 18.30 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



From the collection of late AB, London, UK, 1990s. Accompanied by a previous catalogue information slip.

The type of ring (type II, variant I of Ruseva-Slokoska classification) is characterised by the ellipsoid hoop, rounded on the outside, widening to a horizontal triangular shape. The nicolo was often employed in rings of the 2nd-3rd century A.D.