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LOT 0168
Roman Silver Pin with a Figure of a Standing Woman
2ND-3RD CENTURY A.D.
4 in. (16 grams, 98 mm).
Comprising a tapering body with a Corinthian capital finial, a standing female figure atop the capital, dressed in long robes.
ProvenanceAcquired in the 1980s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Cool, H.E.M., ‘Roman Metal Hair Pins from Southern Britain’ in Archaeological Journal, 147 (1990) 148-182, fig.10, no.6, for a very similar specimen.
FootnotesThe pin seems to belong to the group 18 of the Cool's classification. The treatment of the figures in these pins varies greatly, including both the very 'Celtic' looking face on a pin from Cirencester and a Graeco-Roman figure type of Venus standing on a Corinthian capital from London. This great diversity of treatments clearly suggests that these pins were the occasional products of a wide variety of workshops.
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AUCTIONS:
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LOT 0168
Roman Silver Pin with a Figure of a Standing Woman
Estimate £600 - 800€700 - 930 (for guidance only)$810 - 1,080 (for guidance only)
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Eastern Roman Gold Hoop Earrings with Stone Inlays
3rd-4th century A.D.Estimate: £1,800 - 2,400 (‡+bp*)
Opening Bid: £810
Each with a hollow-formed crescentic hoop, piriform plaque with inset glass panel and granulated border, hollow-bulb cluster beneath with three applied piriform plaques and granule finial. 9.26 grams total, 37-38 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12393-226929. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
As a result of the expansion of the Roman Empire, jewellery became more and more elaborate in its designs and materials used, such as precious and semi-precious gemstones. This pair of earrings represent a highly baroque evolution of the boat-shaped type, already visible in Etruscan jewellery and certainly in Roman jewellery, as demonstrated by the excavations of Herculaneum. Using the body of the boat-shaped earrings, the late Imperial artist added decorative clusters and applications of pearled borders and precious stones, according to the taste of Eastern Hellenism rooted for centuries in the provinces of the Black Sea and Roman Asia. -
Roman Stone Palette and Bone Implement Group
1st-4th century A.D.Sold for (Inc. bp): £156
The rectangular palette with bevelled edges, accompanied by a bone spoon and probe implement. 152 grams total, 7.5-15.5 cm
Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Terracotta Vessel with Processions of Musicians
1st century B.C.-1st century A.D.Sold for (Inc. bp): £338
With moulded relief decoration depicting scenes of dance and music, probably a Bacchic procession, one side with a woman playing an epigonion or psaltery, flanked by two nude dancing men; the other side with a nude woman holding a palm branch and surrounded by two men playing a double flute and a cithara. 90 grams, 82 mm
Acquired prior to 1971. Ex Fridolin (1903-1969) and Halina (1907-1989) Schwitter-Lagutt collection, Basel, Switzerland. with Christie's, London, UK, sale 21014, no.115 (part). Accompanied by a copy of the Christie's listing and invoice. Accompanied by an academic report by Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.