Roman Silver Lunar Pendant

Modelled in the round, standing nude with one arm raised above the head and the other bent, probably from a larger ensemble of figures; mounted on a custom-made display stand. 104 grams total, 10.9 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The figure lacks the small dorsal wings which are normally present on a putto, although the curled locks of hair are typical of the type. During the Roman imperial period, children were widely represented in the art of both the public and private spheres. Images of both mortal and divine children appeared in the artworks and furnishings of the home, on the tomb monuments and burial containers associated with the funerary realm.

With high-relief image depicting a she-wolf in profile advancing beneath a tree, with an infant or boy (Romulus?) on its back, nude and looking up towards the tree. 39 grams, 62 mm

Mostly intact, good condition.

Believed to have been found in Wakefield, UK, in the 1960s. From the Roman 'Invasion Period' private collection of Brian Riley, Wakefield, UK, 1960s-2007. Acquired from Brian Riley, Yorkshire, UK, circa 2007. Property of a Stowmarket, UK, gentleman. Accompanied by an academic report by Dr Raffaele D’Amato.

Military phalerae usually depicted heads of the gods, spirits of the underworld, birds and lions. The higher officers in the Roman army had the custom of wearing a rich suite of phalerae with its straps directly attached to leather garments or doublets, worn over their armour. These decorations were awarded in sets, commonly of nine, although sources confirm that this was not an always the case.

Ellipsoid carnelian gemstone with intaglio scene of a kilted figure sacrificing a goat beside a tree; supplied with a museum-quality impression. 0.40 grams, 12 mm



From a Swiss collection, 1980s onwards. Property of a North London, UK, gentleman.