Roman Silver Lunar Pendant

Hollow-formed with fine detailing to the fingers and nails; with fixing points for a military standard (signum) used by each unit under a centurion, originally fixed with the palm facing forwards inside a wreath. 718 grams, 21 cm

Generally intact and good defined, except for the lower part.

Acquired in Europe before 2000. European private collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12003-211851.

Roman military signa decorated by phalerae and surmounted by a right hand are visible since the Late Consular Age. The hand (manus) symbolised the fides, i.e. the allegiance between the soldiers and the Res Publica. It is also possible that the hand belonged to a statue in which it was extended as a sign of silence, to allow the speaker to speak. However, the iconography of military hands, and also the resemblance with a bronze hand (military signum) preserved in the Vindonissa museum (Windisch), support the possibility that the object was part of a military standard.

P-shaped with wide bow and foot, hatched to the edges with ring-and-dot ornament to the centre of the bow, bar above to hold the sprung pin, foot returning to form the catchplate, the upper edge of which is hammered into a flat wire coiled around the bottom of the bow. 56 grams, 95 mm



Ex property of an Austrian private collector since the 1970s.

Decorated with a high-relief pattern comprising sphinxes surrounded by dolphins and masks of Medusa surrounded by laurel leaves all between Corinthian columns; ropework and floral border strips with laurel leaves above; lip below the upper edge. 20.1 kg, 101.5 cm



Acquired 1970s-early 1990s. Property of a North American collector. London collection, 2016.

This item belongs to types widespread in the Eastern Mediterranean. The panel is decorated with a columned structure, and within each section are symbols of the outer-world, including gorgons, sphinx and dolphins. The sphinx, having a human head and breasts, legs and paws of a lion, and wings of a bird, was generally associated with protecting imperial tombs and temples. The roundels featuring the head of Medusa, known for her potent gazes that could turn one to stone, was favoured on sarcophagi and architectural ornaments because it was believed that her image would protect those within. The dolphin was considered to ferry the souls of the dead to the afterlife.