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LOT 0876
Roman Silver Eagle and Lamb Mount
1ST-4TH CENTURY A.D.
1 in. (8.53 grams, 27 mm).
Modelled in the round on a trapezoidal plaque, the eagle gripping a lamb in its powerful claws, head raised and wings crossed; suspension loop absent.
ProvenanceAcquired in the mid 1980s-1990s.
From the family collection of Mr S.A., Switzerland, thence by descent.
Private collection since the late 1990s.
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AUCTIONS:
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Roman Gold Amulet Holder
1st-4th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £600
Hexahedral in section, hollow with gusseted suspension loops, applied filigree meanders with granules. 7.40 grams, 47 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Roman Lead Statuette of Mercury
1st-2nd century A.D.Sold for (Inc. bp): £221
Standing in contrapposto pose, wearing a cloak draped from the right shoulder and tucked around the left arm supporting a caduceus with snake-head finials; broad-brimmed petasos with wings on the crown; the right arm held vertically at the side supporting the marsupium coin-purse; mounted on a custom-made display stand. 111 grams total, 88 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Mercury was the god of trade and industry, whose principle shrine in the city of Rome was at the Circus Maximus. The draped mantle is typical for statuary of Mercury from the 1st-2nd century A.D. (Boucher, pl.40, 43) as is the caduceus (Boucher, pl.46 (211)). -
Roman Floor Mosaic Section
North Africa, 2nd century A.D.Sold for (Inc. bp): £208
With portion of original matrix and five rows of tesserae in grey, black, cream and white. 213 grams, 79 mm
Acquired Tunisia, North Africa. From a pre World War II collection, thence by descent. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.
In African mosaics, combinations of black and white and cream tessellated mosaics often form the borders of important mosaics, such as those of El Jem, representing the love between Satyrs and Bacchants, or the myth of Leda and the Swan.
