Roman Silver Crossbow Brooch

Blue glass disc with white glass past overlay imitating onyx, showing the nurturing of baby Dionysos, raised by nymphs on Mount Nysa: the infant god standing on the lap of a nymph, another standing right, Silenus standing left and leaning in on the scene, a tree in the background; set into a later gold setting with applied wire scrolls and tendrils on the sides with an applied filigree band below, wide loop above fronted by an applied decorative plaque set with a garnet cabochon. 21.36 grams, 48 mm



Private collection of a London gentleman, acquired between 1965-2020. Accompanied by an academic report by Dr Ittai Gradel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12680-235465. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Dr Ittai Gradel writes: 'Cameos with Dionysiac motifs were especially popular in the mid- to later first century BC, and the prolific workshop of the gem carver Sostratos specialized in such motifs (see I. Gradel, ‘A tale of two fragments: a Sostratos cameo reconstructed’, The Burlington Magazine 162 (March 2020), 181-87). The original, lost stone cameo, from which this glass version was cast, belongs in this period and ambience. The glass cast was presumably contemporary with the original cameo, possibly slightly later, but the glass is in any case clearly ancient (corrosion, iridescence).'

The discoid body formed as an openwork monogram ROMA in Latin letters, the M and A ligated, the O formed by the brooch frame itself; ROMA also a palindrome for AMOR. 12.5 grams, 34 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

When viewed from the default side, RMA + the circle of the brooch form a monogram for ‘Roma’. Roma refers to both the city and its divine personification, the Dea Roma. When RMA is read from right to left (or the brooch is viewed from the opposite side), the letters form a monogram for ‘AMOR’, the Latin name for Cupid, the god of love. The phrase pertains to Roma-Amor, a widely recognised palindrome espousing Roman wordplay in the ancient times.

Gemstone with intaglio advancing lion on a baseline, set into a possibly later gold oval cell with round-section hoop with granule to each shoulder. 4.65 grams, 21.35 mm overall, 17.25 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003 to present. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12681-233902. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.