Roman Silver Bracelet with Animal Head Terminals

Comprising two discoid ornamental appliqués with beaded rims, each with repoussé pelta-shaped panel terminating in opposed bird-heads, surmounted by scrolled tendrils and a kantharos enclosed in a laurel crown. 7.28 grams total, 64-65 mm



Acquired in the early 1990s. From the collection of a London antiquarian. Accompanied by an academic report by Dr Raffaele D'Amato.

The subject represented on these two bracteae is a military shield in the form of a crescent, the so-called pelta, associated in the Late Roman iconography with the Amazon female warriors. This was not necessarily only an iconographic motif, considering that many shields of this typology were represented on the pedestal of the Column of Arcadius in Constantinople (circa 400 A.D.) and they seemed to be associated with the heavy cavalry of the Imperial guard (D’Amato-Negin, 2017, p.252). This could suggest that these gold sheets were applied upon phalerae or military decorations.

Squat amber glass vessel with piriform body and vertical ribbing, tubular neck with everted rolled rim. 21.8 grams, 63 mm



From a London gentleman's glass collection, UK, 1990s.

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble. 104 kg, 110 cm long (120 kg, 117 cm including stand)



Acquired from G. Rihani, 1987. English private collection. Accompanied by a copy of the purchase invoice, 2 July 1987. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12231-218595

The girl shows exotic features, evocative of Roman North Africa, where a mixed Romano-Berber population lived in one of the richest provinces of the Empire. However, the hairstyle refers to those of the Antonine Dynasty, such as the portraits of the Empress Faustina the Elder. It represents probably a sarcophagus lid of a young noble girl, commissioned by her loving parents. Some restorations, today still visible, were done in ancient times: an iron rod at the feet for reinforcement, the armilla on the right arm sculpted at a later stage, the hole in the ear for the insertion of a lost metal or glass earring, the upper part of the head restored in antique with a portion of Parian marble. The sculpture is a Roman work, but it was inspired by a Hellenistic model, probably from Pergamon.