Roman Silver Armilla Snake Bracelet

Comprising: triangular fragment with raised rim, hindquarters of a lion; irregular fragment of a dish, nude body of a male entwined with tentacles of an octopus; irregular rim fragment with carinated profile and raised outer flange, male figure and large beast (Jonah?) modelled in high-relief. 158 grams total, 6.5-10.5 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

Standing erect on a tiered socle base in contrapposto pose; pointillé-textured mantle draped to the left shoulder, left arm bent, hand holding a wand; right arm loose at the side, hand holding a patera; finely modelled face with short wavy hair; shallow dimple or socket to the crown; standing on a possibly later tiered disc base with square foot. 957 grams, 16 cm high



Acquired on the German art market, 1990s. Ex Cambridgeshire collection, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12013-213587.

Mercury was the god of trade and industry, whose principle shrine in the city of Rome was at the Circus Maximus. The draped mantle is typical of statuary of Mercury from the 1st-2nd century A.D. (Boucher, pl.40, 43) and the 'baton' may in fact be the stem of a caduceus (Boucher, pl.46 (211)).

With a grooved hoop, round bezel with flared rim, set with a cabochon engraved with profile bust of Roma wearing a crested helmet. 4.50 grams, 24.32 mm overall, 20.69 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Acquired from London galleries during the 1990s. From the jewellery collection of a London, UK, gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12110-214298.

Both the ring and the gem show characteristic compatible with 1st century B.C.-1st century A.D. dating. Some scholars identify the female head with a theatre mask, but here the strong profile and the helmet points to the goddess Rome, a divine personification of the eternal city.