Roman Ribbed Glass Vessel

Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand



Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878.

The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.

With delicately modelled youthful features, thick hair framing the face adorned with a laurel-wreath secured at the rear, traces of silvering to the eyes; ledge base; possibly Apollo the sun-god, or a lar (guardian spirit). 31 grams, 32 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The use of domestic gods continued in the Roman Empire also in later times. Of particular interest is a group of sculptures discovered in the Theodosian Palace in Stobi. The finds consist of marble and bronze statuettes and reliefs that were deposited in one of the ornamental basins located in the peristyle. Four of the smaller bronze sculptures— a lar, Apollo, Venus, and a satyr— may have formed the contents of a lararium. The palace was in use until the 5th century A.D., but the sculptures consists of heirloom and reused pieces dated at 2nd-1st century B.C. However, an unusual feature of this bronze assemblage is the fact that they date overwhelmingly to the 3rd century A.D.

Decorated with a high-relief pattern comprising a sphinx reclining on a dais surrounded by laurel leaves; ropework and floral border strips with laurel leaves; raised lip below the upper edge. 3.3 kg, 38 cm



Acquired 1970s-early 1990s. Property of a North American collector. London collection, 2016.

This item belongs to types widespread in the Eastern Mediterranean. The panel is decorated with a columned structure, and within each section were symbols of the outer-world, like gorgons, sphinx and dolphins. The sphinx, having a human head and breasts, legs and paws of a lion, and wings of a bird, was generally associated with protecting imperial tombs and temples.