Roman Ribbed Glass Vessel

Formed as a standing horse, the hindlegs forming crossbar, tail forming hinged pin, forelegs forming catchplate; ring-and-dot motifs to shoulders, linear detailing to the mane. 11.8 grams, 35 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Modelled in the round leaping and winged, his right hand reaching above his head seemingly gesturing to retrieve arrows from a quiver once carried on his back, dressed in an exomis tunic leaving him naked below the torso, wearing a helmet or cap and ankle boots. 403 grams, 16 cm high



Acquired in Europe before 1994. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11808-206795.

Often the statues of puttos or amorini (small loves) depicting personifications of Eros were covered with gold leaf. This was a frequent practice and the figures, when represented with wings, were known as chrysopteroi, meaning 'with golden wings'.

The goddess Tyche or Cybele with a facing female bust wearing a mural crown, braided hair cascading to the sides, high-relief lenticular eyes, and small slit mouth, two iron fixing rivets; the lower part with detailed necklace of pendants, catena decorative chain, lateral braids, ferrous fixture; old collector's label 'BR.APP.064' to verso; repaired and mounted on a custom-made display stand. 3.66 kg total, 20.5 cm including stand



Private collection of Mr S.A., Switzerland, 1990s, thence by descent.

The crown that characterises the bronze applique (corona muralis = wall crown) was a military decoration using symbolism from the Hellenistic age. Often associated with Tyche (Fortuna), the crown was also an attribute of the goddess Cybele, particularly when made of wood. However, the presence of a necklace similar to a late Roman statuette of Tyche at the Metropolitan Museum of Art seems to point more to the first identification. This bronze applique was probably used as decoration for a chariot used in a procession for the goddess, or as a furniture decoration.