Roman Redware Terracotta Oil Lamp

Each elliptical in section in blue-tinted glass. 34 grams total, 70-71 mm



Acquired on the UK art market in the late 20th century A.D. From the private collection of the late David King (1940-2024), Hoddesdon, Hertfordshire, UK.

Comprising: a fragment of a glass pendant with impressed image of an advancing lion, crescent moon above; a conical agate intaglio with a profile of theatre mask; an oval carnelian intaglio with a dove holding an olive branch; a jasper intaglio with standing Asclepius holding a snake-staff. 4.35 grams total, 10-17 mm



Norfolk family collection, 1940s-1960s; thence by descent.

Hollow-formed, no handle, but the rear bulging tubular part of the basin may have served as such; body in the shape of a comic theater mask with large open mouth; filling-hole on forehead, knit eyebrows with jolly expression and large open mouth functioning as a wick-hole; crown of foliage and fruits; flat raised oval base. 38 grams, 67 mm



From the collection of Mr W.A. Stewart, Director of School of Arts and Crafts, Cairo, 1919-1929. Acquired Christie's, London, Antiquities, Works of Art and Important Renaissance Bronzes, Plaquettes and Limoges Enamels, 8 July 1981, no.126 (part). From a private Wiltshire, UK, collection. Accompanied by a copy of the relevant Christie's catalogue page.

Lamps with figurines first appeared in the Hellenistic period, possibly originating in Athens, since the 2nd century B.C. Found in all parts of the Mediterranean basin, they were particularly popular during the 1st and 2nd centuries A.D. The Silenus face types were linked to the Bacchic cult. The crown of leaves and fruit across the forehead alludes to Bacchus or one of his followers.