Roman Redware Sherd with Racing Charioteer

Complete with pin lug, pin and catchplate to reverse, displaying a floral design with remains of polychrome enamelling. 12.16 grams, 32 mm



Acquired from Gary Edwards at York Antiques Centre. Accompanied by a certificate of authenticity signed by Gary Edwards.

Comprising a squat body with thick nozzle and lug handle, band of leaves and bunches of grapes to the discus, surrounding a bust of Serapis with modius and radiate crown; maker's initials to the underside 'S. S. L.'. 145 grams, 12.2 cm wide

Fine condition.

Ex London gallery 1980s. From the collection of a deceased Lancashire gentleman.

Serapis was a Graeco-Egyptian god, whose cult was popularised during the 3rd century B.C. on the orders of Ptolemy I of Egypt, to facilitate the religious syncretism of his kingdom. During the Roman Empire his image was widely diffused in the east, and the image of Zeus-Serapis was often fitted with the radiate crown, linking it with the cult of Sol Invictus; the position as the main divinity of the Roman Pantheon strengthened by Lucius Domitius Aurelian (270-275 A.D.).

Carved in the round with youthful features; large eyes with thickened eyelids, especially the lower lid, well-defined eyebrows forming two long arcs; small mouth with fleshy lips and deep corners; the hair parted at the centre and forming two symmetrical bands of wavy locks leaving the ears uncovered, secured with a ribbon and gathered at the nape of the neck to a small braid with a low hanging knot; mounted on a custom-made display stand. 2.95 kg total, 24.5 cm high including base



19th-20th century collection, based on the stand. Ex German collection, 1980s. with HVMC Auctions, Monaco, 12 May 2021, lot 99. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11761-202174.

The arrangement of the hair is characteristic of female portraits of the late Antoninian to early Severan age. The head finds comparisons with a female portrait in the National Roman Museum, depicting an elderly woman of the Antoninian age, and with another female portrait in the National Roman Museum, dated to the third decade of the 3rd century A.D., reworked in the Tetrarchic Period, with the hairstyle falling within the so-called 'Nest Frisur' of the Severan age.