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LOT 0858
Roman Marble Janiform Herm Head of Ariadne and a Maenad
1ST-2ND CENTURY A.D.
11 3/8 in. (12.6 kg, 29 cm high).
Carved architectural element depicting a double herm comprising: a diademed female bust with long wavy hair framing the face, slender features with small mouth and raised lids; the other side with a diademed female with hair arranged in neat curls on the forehead, large eyes and small mouth, taenia shown on each side of the neck; base reworked with drilled sockets for mounting.
ProvenanceOld collection, acquired in the 1970s.
Acquired by inheritance from Mr N.S.
Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12084-211893.
Cf. Mansuelli, G.A., Galleria degli Uffizi, Le Sculture, Parte l, Roma, 1958, pp. 159-160, n. L32; Sciarra, B., Brindisi. Il Museo Archeologico Comunale, Brindisi, 1976, p. 8, n. 34; Bonanno, A., Un gruppo di ermette decorative a Malta, in ArchCl 29, 1977, pp.399-410, tavv. LL2-LL6, specialmente p. 402; Faedo L., Camposanto Monumentale di Pisa, Le Antichità, ll, a cura di Salvatore Settis, Modena, 1984, p.178, n. 81; Moreno, P., Viacava, A., I Marmi Antichi della Galleria Borghese, Roma, 2003, pp. 767-168, n.138.
FootnotesThe head with elaborately curled hair and diadem could represent Ariadne, as shown by comparisons with a fragment of a two-faced herm with bearded Dionysus and Ariadne preserved in the Antiquarium Ostiense, dated to the lmperial Roman age. The heads could be interpreted either as Ariadne and a Maenad, or as two Maenads being characterised by the diadem and long taeniae. The association of these figures with Dionysus is congruent with the typology of the herm, which refers to rural places and theatres. Numerous herms in fact attest that this type of sculpture was used in contexts linked to Dionysus and his sacred procession as well as, obviously, the representation of Ariadne, his female partner and double.
The example fits into the class of domestic sculpture with a decorative function, mostly used to adorn peristyles and viridaria; the type placed at the crown of columns and pillars is quite documented, in particular in the version with the head of Dionysus contrasted with that of Ariadne
or a Maenad.
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LOT 0858
Roman Marble Janiform Herm Head of Ariadne and a Maenad
Sold for (Inc. bp): £11,050
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Roman Gold Pendant with Crescent Moon
1st-2nd century A.D.Sold for (Inc. bp): £91
Comprising a crescent with applied granules to the finials, ribbed loop below with granule supporting a cluster of hollow-formed spheres. 0.76 grams, 17 mm
Acquired London, UK, 1980-2015. From the Abelita family collection. -
Roman Gilt Bronze Phalera with Theseus and the Minotaur
2nd century B.C.- 2nd century A.D.Sold for (Inc. bp): £182
Domed roundel with high-relief design of combat between a bearded hero and a monster, wreath and rosettes to the rim. 32 grams, 49 mm
Found near Sedgeford, Norfolk, UK, in the 1980s. Acquired in the late 1990s. Property of a Norfolk, UK, collector.
According to the legend, Theseus, prince of Athens, went to the island of Crete to kill a monster who was the son of queen Pasiphae and a wild bull, although officially he was the son of Minos and Pasiphae. Theseus chased him into the labyrinth, killed him and found his way out with the help of the comb of Ariadne, daughter of King Minos. The myth has its representation in the Archaic, Classical and Hellenistic period, and was widely depicted in the Graeco-Roman world. The present repoussé appliqué was probably used as a furniture or horse harness ornament. -
Large Gallo-Roman Bronze Statuette of Cupid
1st-3rd century A.D.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,667
Modelled in the round leaping and winged, his right hand reaching above his head seemingly gesturing to retrieve arrows from a quiver once carried on his back, dressed in an exomis tunic leaving him naked below the torso, wearing a helmet or cap and ankle boots. 403 grams, 16 cm high
Acquired in Europe before 1994. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11808-206795.
Often the statues of puttos or amorini (small loves) depicting personifications of Eros were covered with gold leaf. This was a frequent practice and the figures, when represented with wings, were known as chrysopteroi, meaning 'with golden wings'.
