Roman Marble Epigraphic Eagle Statue

The coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 177/1150. 1.27 kg, 37 x 49.5 cm



UK gallery, early 2000s. Accompanied by an old certificate of authenticity.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

From the upper part of a vessel, displaying a frieze of profile images and figural scenes from Graeco-Roman mythology: a musician in late Roman garments playing a harp (Orpheus?), a seated woman weaving with a distaff in her hand (Penelope?), a kneeling naked woman imploring a naked warrior fighting with shield and spear (Achilles and Thetis?). 202 grams, 18 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

This terra sigillata fragment appears to have been part of a large tray. Elements of dying paganism were still used to celebrate the deeds of the new imperial heroes. Note the detailed late Roman clothing of the harpist, with a chlamys-paludamentum on the right shoulder and the tunic decorated with clavi and orbiculi.

With a hollow-form hoop expanding at the shoulders, raised bezel set with a dark blue nicolo intaglio engraved with a pair of birds, one standing and the other stooped to pick something from the ground with its beak. 5.75 grams, 25.12 mm overall, 14.69 x 18.30 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



From the collection of late AB, London, UK, 1990s. Accompanied by a previous catalogue information slip.

The type of ring (type II, variant I of Ruseva-Slokoska classification) is characterised by the ellipsoid hoop, rounded on the outside, widening to a horizontal triangular shape. The nicolo was often employed in rings of the 2nd-3rd century A.D.