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LOT 0595
Roman Iridescent Glass Juglet
1ST-2ND CENTURY A.D.
2 1/4 in. (23.9 grams, 58 mm).
Bulbous body and short neck with everted rim, applied handle and pontil to base. [No Reserve]
ProvenanceAcquired from older English collections via the UK art market since the mid 1970s.
From the private collection of Peran Dachinger, thence by descent.
From the family collection of a Maida Vale lady, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Roman Carnelian Gemstone of Athena
1st-2nd century A.D.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £450
Ellipsoid in plan with incuse profile bust of Athena wearing a Corinthian style helmet; supplied with a museum-quality impression. 0.87 grams, 17 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Blue Glass Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £85
Restrung to a Y-shape comprising mainly graduated oblate beads, central feature composed of oblate and annular beads with a reused bracelet fragment. 16.66 grams, 37 cm
Ex London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Silver Pin with a Figure of a Standing Woman
2nd-3rd century A.D.Estimate: £600 - 800 (‡+bp*)
Opening Bid: £270
Comprising a tapering body with a Corinthian capital finial, a standing female figure atop the capital, dressed in long robes. 16 grams, 98 mm
Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The pin seems to belong to the group 18 of the Cool's classification. The treatment of the figures in these pins varies greatly, including both the very 'Celtic' looking face on a pin from Cirencester and a Graeco-Roman figure type of Venus standing on a Corinthian capital from London. This great diversity of treatments clearly suggests that these pins were the occasional products of a wide variety of workshops.
