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LOT 0121
Roman Inked Wooden Tablet for a Contract Between Bassus and Neronianus
4TH CENTURY A.D.
6 x 5 1/2 in. (40 grams, 15.1 x 13.9 cm).
A reused tablet with a recessed panel on one side, the last tablet of a legal document which consisted of two (diptychon) or three tablets (triptychon); ten black inked lines of New Roman cursive script, the end of a record of a transaction in formulaic legal language, probably a sales contract, between the buyer (emptor) Bassus and a person called Neronianus; traces of text (perhaps in rustic capitals) to the reverse. [No Reserve]
ProvenanceFrom an important London collection since 1975.
Accompanied by a collection of two 1970s photographs of the the tablet.
Rothenhoefer, P., Neue römische Rechtsdokumente aus dem Byzacena-Archiv / New Roman Legal Documents from the Byzacena Archive, (forthcoming).
LiteratureCf. Rothenhöfer, P., Blänsdorf, Jürgen, Sana mente sanaque memoria testa-mentum feci: Eine testamentarische Verfügung vom 12. April 340 n. Chr., Gephyra 13, 2016, pp.153-163; Rothenhöfer, P., Neues zum Testament des Pomponius Maximus aus dem Jahr 371 n. Chr., (forthcoming); see also Masi Doria, C., Dal testamento di Pomponius Maximus: prospettive del diritto ereditario tardo antico, in: Isola, L. (ed.), Klauselgestaltungen in Römischen Testamenten, Berlin, 2022, pp.151-175; also see Thomas, J. D., Vindolanda: The Latin Writing Tablets, Britannia Monograph Series No 4, London, 1983, for examples of wooden tabulae re-used as writing surfaces; for examples of testamentary documents on wooden tablets that have survived, see FIRA III, p.47, for Anthony Silvanus from 142 AD, also see BGU VII 1695 for Safinnius Herminus; for another from Transfynydd, North Wales, see Arch. Camb. 150, pp.143-156; and see Bowman, A.K., Life and letters on the Roman frontier : Vindolanda and its people, London, 1994, for discussion of the uses of Roman writing tablets.
FootnotesThe contract follows standard Roman legal formulae.
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AUCTIONS:
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LOT 0121
Roman Inked Wooden Tablet for a Contract Between Bassus and Neronianus
Sold for (Inc. bp): £15,600
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Roman Redware Pottery Sherd with Achilles and Thetis
4th-5th century A.D.Sold for (Inc. bp): £169
From the upper part of a vessel, displaying a frieze of profile images and figural scenes from Graeco-Roman mythology: a musician in late Roman garments playing a harp (Orpheus?), a seated woman weaving with a distaff in her hand (Penelope?), a kneeling naked woman imploring a naked warrior fighting with shield and spear (Achilles and Thetis?). 202 grams, 18 cm
Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.
This terra sigillata fragment appears to have been part of a large tray. Elements of dying paganism were still used to celebrate the deeds of the new imperial heroes. Note the detailed late Roman clothing of the harpist, with a chlamys-paludamentum on the right shoulder and the tunic decorated with clavi and orbiculi. -
Roman Bronze Military Belt Mount Group
Circa 2nd-3rd century A.D.Sold for (Inc. bp): £85
Group of three rectangular mounts each with a beaded border and low-relief motif. 12.2 grams total, 31-34 mm
Property of the vendor's grandfather, thence by family descent, circa 1985. From the private collection of a New York, USA gentleman. -
Roman Gold Ring with Apollo Gemstone
2nd-3rd century A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,100
With a solid ellipsoid hoop expanding at the shoulders from the mid 3rd century, with oval bezel set with a blue nicolo gemstone engraved with the figure of standing crowned god Apollo, depicted nude and holding a staff (or lyre?) in his raised right hand, gazing towards his raised left hand. 4.49 grams, 26.13 mm overall, 21.70 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)
From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12005-213036.
The god’s body is depicted in three-quarter view, whereas the head is in full profile. The casual posture of the figure on the gemstone is taken from the common iconography of the god. Apollo is frequently portrayed in this fashion, although often leaning against a small column.
