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LOT 0100
Roman Gold Rings for a Married Couple with Nicolo Bust Gemstones
2ND CENTURY A.D.
3 3/4 in. (12.83 grams total, 20.25 mm overall, 15.50 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4) 20.86 mm overall, 16.35 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)).
Comprising two matching solid hoops with expanding shoulders, each set with a dark blue nicolo intaglio, one bearing a profile bust of a young Hercules, and the other with a profile bust of a woman wearing a taenia or a wreath on her head. [2]
ProvenanceFrom the private collection of the late A.B., London, UK; acquired before 1989.
Accompanied from an archaeological report of Dr. Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12006-213034.
Cf. variant 3, type I, of the Ruseva-Slokoska classification of gold rings with gemstones, see Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, p.170 no.192; cf. similar artefact in the Koch collection, in Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 226; Gołyźniak, P., Engraved Gems and Propaganda in the Roman Republic and under Augustus, Oxford, 2020, figs.22-23, pl.6.2, for similar profiles.
FootnotesThe iconography here is simple, possibly referring to a married couple, or to important public persons. The 5th century Roman writer Macrobius wrote that the engagement ring was worn on the fourth finger. Legend has it that the vena amoris, literally the ‘vein of love’, ran from the heart to the fourth finger of the left hand. Gemstones and fancy embellishments have been found in Roman rings of every age, although usually for engagement or wedding rings the iconography of clasped hands, symbolising the ‘fides’ among the spouses, was used. Intaglio portraits were engraved into a large variety of stones but nicolo, carnelian and red jasper were generally the most popular for imperial portraits or for the members of the imperial family.
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AUCTIONS:
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LOT 0100
Roman Gold Rings for a Married Couple with Nicolo Bust Gemstones
Sold for (Inc. bp): £4,160
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Roman Terracotta Oil Lamp with Erotic Scene
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Squat burnished pottery lamp with stub nozzle, high-relief scene of two lovers on a couch; maker's mark 'LMVNSVC' to the underside. 64 grams, 95 mm
From the collection of French archaeologist Suzanne Gozlan (1921-2022).
The lamp belongs to the Bailey type B group ii (Loeschke type IV), usually dated from Tiberian to Trajanic times. Erotic lamps were particularly popular before the Christianisation of the Roman Empire. Roman sexuality differed considerably from later Christian European attitudes. Roman religion promoted sexuality as one of the fundamental aspects of prosperity for the entire state; individuals could turn to private religious practice, or even magic, to improve their erotic life or health and reproductive capacity; moreover, prostitution in ancient Rome was legal, public and widespread. Artistic subjects that today we would define without hesitation as pornography, were present among the art collections of the most respectable and high status Roman families. -
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Private collection 1990s. Ex London, UK, gallery. -
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