Roman Gold Ring

Comprising different types, all with pins and catchplates in situ. 99 grams total, 36-70 mm



Ex property of an Austrian private collector since the 1970s.

Parcel-gilt crossbow brooch with onion-shaped knops to the ends of the headplate and medially along the top edge; deep trapezoidal-section bow with median gusset; D-section footplate with chamfered sides open to one edge; upper part of one face of the bow with niello-filled running scroll design, lower part of the other face with running guilloche; beaded wire collar at the end. 14.6 grams, 46 mm



Ex N.C. collection. Acquired on the Swiss art market in 2000. European private collection.

Crossbow fibulae of this type were worn by high officers and, if in gold, even emperors, from Constantine to Justinian, as symbols of military rank. These fibulae are an important element in the graves, for the classification of the category of the dead, as belonging to the militia (armed or not); many of them were in gold, or gilded silver, and decorated with an inscription.

Comprising two matching solid hoops with expanding shoulders, each set with a dark blue nicolo intaglio, one bearing a profile bust of a young Hercules, and the other with a profile bust of a woman wearing a taenia or a wreath on her head. 12.83 grams total, 20.25 mm overall, 15.50 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4) 20.86 mm overall, 16.35 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied from an archaeological report of Dr. Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12006-213034.

The iconography here is simple, possibly referring to a married couple, or to important public persons. The 5th century Roman writer Macrobius wrote that the engagement ring was worn on the fourth finger. Legend has it that the vena amoris, literally the ‘vein of love’, ran from the heart to the fourth finger of the left hand. Gemstones and fancy embellishments have been found in Roman rings of every age, although usually for engagement or wedding rings the iconography of clasped hands, symbolising the ‘fides’ among the spouses, was used. Intaglio portraits were engraved into a large variety of stones but nicolo, carnelian and red jasper were generally the most popular for imperial portraits or for the members of the imperial family.