Roman Gold Ring with Pair of Birds on Nicolo Gemstone

The tapering gemstone with attractive brown and white banding, intaglio motif of a rearing serpent flanking reversed letters T and C, the body coiled and forming an infinity sign; set in an eastern medieval gold ring with a keeled hollow-form hoop of heavy construction, and applied stepped bezel. 12.73 grams, 31.46 mm overall, 18.56 mm internal diameter (approximate size British P , USA 7 1/2, Europe 16.23, Japan 15)



Private collection, USA. From the Alexander Gallery, New York, USA, in the early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12107-214337.

The image on the gemstone can refer to a simplified representation of the radiant serpent-god Chnoubis, invoked to cure stomach ache and heartburn. According to the Greek physician Galen, when worn as an amulet, it benefitted the stomach and the oesophagus.

Comprising a quantity of mixed beads, mainly oblate and cylindrical in form, including glass, modelled, faience and stone etc. 58.5 grams total, 1-14 mm



UK gallery, early 2000s.

The use of amber beads as amulets in the Roman world is well attested, even in Britain (series of bracelets have been found in late Roman graves at Cirencester and Colchester). The amber beads were associated with pierced coins, pierced dog’s teeth and a lunate pendant. Pliny said that amber was beneficial to infants ‘when attached to the body in the form of an amulet'.

Comprising two matching solid hoops with expanding shoulders, each set with a dark blue nicolo intaglio, one bearing a profile bust of a young Hercules, and the other with a profile bust of a woman wearing a taenia or a wreath on her head. 12.83 grams total, 20.25 mm overall, 15.50 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4) 20.86 mm overall, 16.35 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied from an archaeological report of Dr. Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12006-213034.

The iconography here is simple, possibly referring to a married couple, or to important public persons. The 5th century Roman writer Macrobius wrote that the engagement ring was worn on the fourth finger. Legend has it that the vena amoris, literally the ‘vein of love’, ran from the heart to the fourth finger of the left hand. Gemstones and fancy embellishments have been found in Roman rings of every age, although usually for engagement or wedding rings the iconography of clasped hands, symbolising the ‘fides’ among the spouses, was used. Intaglio portraits were engraved into a large variety of stones but nicolo, carnelian and red jasper were generally the most popular for imperial portraits or for the members of the imperial family.