Roman Gold Ring with Maenad Gemstone

The discoid body formed as an openwork monogram ROMA in Latin letters, the M and A ligated, the O formed by the brooch frame itself; ROMA also a palindrome for AMOR. 12.5 grams, 34 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

When viewed from the default side, RMA + the circle of the brooch form a monogram for ‘Roma’. Roma refers to both the city and its divine personification, the Dea Roma. When RMA is read from right to left (or the brooch is viewed from the opposite side), the letters form a monogram for ‘AMOR’, the Latin name for Cupid, the god of love. The phrase pertains to Roma-Amor, a widely recognised palindrome espousing Roman wordplay in the ancient times.

The eagle standing with its wings folded, erect head with natural facial detailing, claws gripping the body of a reclining doe with raised head and pricked ears. 21.5 grams, 38 mm high



Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The motif of an eagle and a stag or a deer is typically associated with the God Jupiter/Zeus Dolichenus and his wife Juno Dolichena, name derived from his sanctuary in Doliche, Anatolia. Jupiter Dolichenus was a soldier god, usually portrayed wearing full military attire and standing on a bull, while his consort would have been shown standing on a deer or stag.

Comprising a matching pair of earrings, each composed of a hollow crescentic body tapering to slender coiled wire terminals, a suspension loop to each shoulder, large tear-shaped cell to front with granulated border, set with a polished garnet cabochon, gold bulbs below in the form of a bunch of grapes, adorned with smaller granules and three cells set with polished garnet cabochons; the necklace elements comprising graduated beads, alternating between roughly spherical polished garnets and sheet-gold beads of various types including gusseted, biconical and tubular, two floral filigree pendants flanking a central pendant ornamented with 'plaited' and plain filigree wire with granules to the outside, finial of trefoil bulbs, central corrugated cell set with a polished garnet cabochon; mounted on a custom-made perspex display base. 435 grams total, display stand: 30 x 23.5 cm (earrings: 38 mm each)



Ex private European collection, 1970s. with Genève Enchères, 14 December 2017, no.999. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11584-199015. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Beryls, used as small pendants, and not placed horizontally, characterised Roman necklaces of 2nd century A.D. A typical example is the necklace found in the grave of Crepereia Tryphaena. The contents of the grave are dated to the Antonine age based on the sarcophagus, the inscription, and the hairstyle of the doll it contains.