Roman Gold Ring with Head of Apollo

Annular in form with integral collar and wreath detailing, animal forms to the outer edge; usage wear. 179 grams, 10.3 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Carved architectural element depicting a double herm comprising: a diademed female bust with long wavy hair framing the face, slender features with small mouth and raised lids; the other side with a diademed female with hair arranged in neat curls on the forehead, large eyes and small mouth, taenia shown on each side of the neck; base reworked with drilled sockets for mounting. 12.6 kg, 29 cm high



Old collection, acquired in the 1970s. Acquired by inheritance from Mr N.S. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12084-211893.

The head with elaborately curled hair and diadem could represent Ariadne, as shown by comparisons with a fragment of a two-faced herm with bearded Dionysus and Ariadne preserved in the Antiquarium Ostiense, dated to the lmperial Roman age. The heads could be interpreted either as Ariadne and a Maenad, or as two Maenads being characterised by the diadem and long taeniae. The association of these figures with Dionysus is congruent with the typology of the herm, which refers to rural places and theatres. Numerous herms in fact attest that this type of sculpture was used in contexts linked to Dionysus and his sacred procession as well as, obviously, the representation of Ariadne, his female partner and double. The example fits into the class of domestic sculpture with a decorative function, mostly used to adorn peristyles and viridaria; the type placed at the crown of columns and pillars is quite documented, in particular in the version with the head of Dionysus contrasted with that of Ariadne or a Maenad.

Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand



Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878.

The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.