Roman Gold Ring with Eye Cabochon

With the bust of the emperor facing left, laurel wreath in his curly hair with ribbons falling behind his head, beard with characteristic forked tip, mounted in a large broad silver hoop widening to an oval bezel inset with a gold border. 18.89 grams, 28.88 mm overall, 21.34 mm internal diameter (approximate size British X 1/2, USA 11 3/4, Europe 26.92, Japan 25)



English private collection, 1980s-1990s. with Christie's, London, 7 October 2010, no.204. European private collection, acquired in 2010. Accompanied by copies of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12609-234621. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comparison with contemporary coinage confirms that this bust with its prominent nose, chin, curly hair and forked tip beard, represents Septimius Severus (193-211 A.D.), and the image certainly conveys the strong character of the commander who led the Roman army to victory, not only in Europe but also in the Middle East. A similar portrait can be seen on the cameo in the Museum of Fine Arts, Boston (accession no.99.368). In the Boston cameo the emperor is likewise seen in profile, facing right, and his beard, with the forked tip, is identical. Another good comparison is with the cameo of the Imperial family preserved at the Cabinet des Medailles, Paris (Petruccioli, 2011, fig.230). Cameos and rings of this typology were often gifted and gifted to members of the Imperial entourage, and were a great instrument of Imperial propaganda.

Fragments of wall plaster with rendered surface painted with mainly red, pale blue and white detailing; some with impression of timber laths to the reverse. 1.76 kg total, 6.5-17.5 cm



Acquired in the 19th century. Ex Jeger collection, Switzerland. UK gallery, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.

Fusiform with reserved legend 'LXIII' (for LEGIO XIII = 13th Legion). 55.9 grams, 41 mm



Acquired on the UK art market. Property of a gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The shot (Völling type 1C) is marked with the abbreviated name of Legion XIII, and was probably used at the Battle of Munda (or Monda) against Julius Caesar, 17th March 45 B.C., or against the sons of Pompey, because both the generals (Pompey sons and Caesar) had in their army a Legio with the numeral XIII on that day. Interestingly, other glandes of the same typology from the same battlefield bear the name of Pompey, so that it is much possible that the glans belongs to the Legio XIII of Pompey, who was destroyed during the battle and whose survivors were massacred among the 22,000 defenders of Cordoba by the troops of Caesar (D'Amato, 2021, pp.421 and 424). The projectiles were made of different materials: lead (glandes) or in pottery or stone (lapides missiles).