Roman Gold Pendant with Crescent Moon

Bust and torso of an indigenous nobleman modelled in the round; with rounded facial features, the shoulder-length hair dressed in hanks and cut into tiers, centre-parted and framing the face; the eyes exaggerated, probably originally emphasised with sheet-silver detailing; the broad chest smooth with ring-and-dot nipples; a thick collar or torc sitting high on the collar-bone, with braided detailing and finished with a D-shaped pendant; each upper-arm supported by a barley-twist column with cup finial and stylised flames above; the centre supported by a rectangular block with incised herringbone linear pattern interspersed with pointillé pellets; the base broad and gently curved away from the figure, with a lattice of bilinear panels bearing groups of three ring-and-dot motifs, D-shaped loop to the forward edge flanked by smaller lobes; the reverse plain, the head hollow with remains of a thick loop at the lower edge of the hair; significant iron deposits to surface from its deposition environment; of provincial Roman workmanship. 461 grams, 13 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Its construction with a central block flanked by two short pillars (i.e. leaving two slots) suggests that the piece may have been intended as a rein-guide for a chariot, whereby the leather or fabric straps would pass through the two apertures and, by their separation, be prevented from tangling. Bronze figural busts are known from Gallo-Roman contexts: they are usually female and interpreted as tutelae or protective tribal spirits (Boucher & Tassinari, 1976, items 62-4). The present example is evidently designed to impress the viewer with its portrayal of the 'noble barbarian' as a suitable conveyor of martial splendour (Boucher & Tassinari, 1976, item 321). The impressive figure recalls the famed statue 'The Dying Gaul' in the Capitoline Museum, Rome, showing a 'barbarian' warrior with a neck torc, thick hair and moustache, discarded weapons and shield carved on the ground and a carnyx trumpet between his legs. The statue is a copy of a Hellenistic original celebrating a Greek victory over the Galatians.

Comprising a hollow-formed hoop with rounded shoulders, inset garnet intaglio with clasped hands and 'AIAX' inscription. 2.79 grams, 21.00 mm overall, 14.90 mm internal diameter (approximate size British E, USA 2 1/4, Europe 2.41, Japan 2)



Acquired in Europe in 1992. with Million Cornette de Saint Cyr, Hotel Regina, 12 December 2009. European private collection.

The Romanised name 'Aiax' is given to the hero Αἴας of the Trojan war, who carried off the body of Achilles and fought Hector. The subject of two clasped hands (dextrarum junctio) symbolising the fides (loyalty, trust), was very popular on Roman rings and gems. It was mainly used on marriage rings, sometimes with the equivalent Greek inscription 'OMONOIA'. Sometimes it was used in terms of military loyalty between commander and army. In this case it is most probable the name of the groom (AIAX).

Tall thin neck with everted rim and double bulb base with flat bottom. 27.4 grams, 12 cm



Acquired 1980-2015. Ex Abelita family collection.