Roman Gold Earring Pairs

Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)



From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.

Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.

Comprising a shallow discus framed by concentric lines, low-relief image of a standing male reaching for a bowl with his right hand whilst supporting himself by grasping a low pillar with his left hand, filling hole flanking the pillar; volute to each side of the nozzle; maker's mark 'SVRIEPII'. 80 grams, 10.5 cm



Acquired on the European art market, 1980s. English private collection.

The period of activity of several well-known workshops—L M A D I E C , L M V N S V C , E R O T I S , G A B M E R C , and L M S V —is late Flavian to Trajanic, possibly Hadrianic.Based on this, we will not refer to the broader and too approximate dating given by Bailey to his group IV: Claudian to Trajanic.

Modelled in the round, standing with right leg bent, right arm raised and left extended before the body; with thick tousled hair, exaggerated torc to the neck, jacket with incised vertical lines, tight-fitting trousers and ankle-boots. 53 grams total, 67 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The pose of the figure suggests that he is in the action of brandishing a weapon, or possibly holding the reins of a team of horses pulling a chariot. Caesar mentions the expert use of the war-chariot by the Britons (Conquest of Gaul, IV.33). The padded garment suggests a Celtic auxiliary in the Roman army.