Loading, please wait...
LOT 0742
Roman 'Gloucestershire' Mosaic Panel
CIRCA 2ND-3RD CENTURY A.D.
30 in. (33 kg, 76 cm high).
Irregular mosaic fragment of beige, cream and grey tesserae with radiating trumpet-shaped swirls; mounted in a modern rectangular matrix. [No Reserve]
ProvenanceFound Gloucestershire, UK.
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Cosh, R., Neal, D., Roman Mosaics of Britain, volume IV, Western Britain London, 2010, fig.56, for similar pattern.
FootnotesA mosaic found in Cirenchester (insula IX, Chester Street) shows panels defined by a dark blue-grey single fillet with an additional double fillet parallel to it on a longer axis, having an overall scheme of running pelta-pattern. Each pelta is outlined in dark-blue grey and infilled with red, white and dark blue grey at the centre.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Bronze Musical Flute
Circa 2nd-3rd century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,400
An extremely rare aulos or tibia with round-section body, six circular holes to one side and a D-shaped hole to the reverse. 87 grams, 23 cm
Fine condition. Extremely rare.
From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11055-184396.
The flute was used for religious ceremonies and for entertainment. The pyrrhic, a war dance of Doric origin, was a rapid dance to the double flute, and made to resemble an action in battle. -
Roman Buffware Slipper Oil Lamp
Circa 4th-5th century A.D.Sold for (Inc. bp): £46
Moulmade with large handle; squat pear-shaped body, open discus with large central filling hole surrounded by two rows of radiating lines and ridge that forms a narrow channel to the nozzle; base decorated with a stylised Chrismon. 78 grams, 94 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
The type belongs probably to a variant of so-called Late Ephesian Lamps, i.e. lamps of Asia Minor. Late Ephesian type lamps have very characteristic underbodies. Several examples have an impressed circular mark, for example a cross formed of four vertically placed small circles with two more placed horizontally, or a Chi Rho, like in this example. -
Large Roman Marble Bull's Head Sculpture
Circa 2nd century B.C.- 2nd century A.D.Sold for (Inc. bp): £2,080
Life-size bull's head (bucranium) on a rectangular field with flattened upper face and small ledge overhang; modelled in the half-round with detailed eyes, muzzle and dewlap, plain background; tooled texture to the forehead and dewlap; Eastern Empire. 98 kg, 51 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12081-213373.
The bucranium was used as a prominent motif on the exterior of Graeco-Roman temples where it replaced the use of genuine severed heads from the sacrificial rites. Garlands were draped over the heads on feast-days and occasions of special religious observance. The flattened upper face suggests an architectural use, perhaps as a corbel.