Roman Glass Vessel

Depicting a nude blacksmith seated on a stool before a forge, hammer in his right hand, holding an object he is hammering with the other hand. 0.25 grams, 10 mm



Private collection, North Germany. with Gorny & Mosch, 14 December 2005, no.238. Accompanied by a copy of an Art Loss Register certificate no.S00075379.

Probably a Roman copy of a Hellenistic subject. Some Roman ring intaglios were dedicated to Vulcan (Greek Hephaestus), god of the blacksmiths, artisans, and carpenters. Usually, the god is represented standing or working in his forge, wearing a wide-brimmed hat and a one-shouldered tunic, identifying him as a craftsman. In his right hand, he holds a hammer over an anvil, and in his left a pair of long metalworking tongs. Sometimes he is naked, seated and working.

Formed as an irregular block with three possibly later polished sides, with the other three sides presenting a descending wall and two hollows carved in the upper and lower part; probably from an Imperial sarcophagus or monument; mounted on a custom-made stand. 10.55 kg, 31 cm including stand



Acquired from the private collection of a Somerset gentleman who was related to Sir Arthur Evans. From the private collection of a UK gentleman since before 2005.

For the Romans, porphyry was the Imperial marble par excellence, and from Constantine the Great until the end of the 5th century, but probably also later, it was used to create sarcophagi for the emperors and members of the Imperial families. This particular stone was connected with the Imperial family because of its red colour, recalling the violet and red shades of the purple (porphyra), the precious colour assigned only to emperors and their relatives. In Constantinople, a room of the Imperial palace was called Porphýra, located on one of the palace terraces overlooking the Sea of Marmara and the Bosphorus. It was perfectly square in shape with a pyramidal ceiling and was entirely covered in purple porphyry speckled with white dots: this was the room where the empresses gave birth to the heir of the Roman Empire, called Porphyrogénnētos, meaning ‘born in the purple room’. Porphyry was widely used for building churches in the Christian Empire, and Justinian exhausted the supplies from Egypt by building the Great Church of Hagia Sophia, where still today a great amount of this material can be seen. The impressive Imperial sarcophagi were kept in the Church of the Holy Apostles, as well as the great porphyry sarcophagus of Constantine the Great, of which only a small fragment survives today in the Archaeological Museum of Istanbul.

Wide bow with a raised decorative panel with polygonal cells for enamel, zoomorphic finial. 4.66 grams, 37 mm



Found Norfolk, UK. From a Kent collection formed in the 1990s.