Roman Glass Unguentarium

Modelled in the round, Venus standing nude with hands raised to dress her hair; dorsal pillar pierced at shoulder height for suspension. 4.9 grams, 40 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The iconography of Venus Anadyomene was one of the most commonly used images of the goddess in classical sculpture, and was still popular during the late Roman Empire. The best example of this is the Louvre Venus Anadyomene (Ma 3537) of the 4th century A.D., found in the 19th century at Saint George de la Montagne near Bordeaux, inside a rich aristocratic house and coming from Aphrodisias, an ancient place of statuary production for export.

Swastika-shaped fibula with horse-head decoration, each head with punched ring-and-dot eye, a similar motif to the centre. 16.7 grams, 45 mm



Acquired before 2000. From the collection of a European gentleman living in the UK.

In the 3rd century A.D., several examples of fibulae in the shape of four horses’ heads forming a swastika (type Almgren 232) seem to be related to the creation of the Illyrian cavalry corps in Roman army. Many examples of these military fibulae were found in ancient Roman Dacia (Romania), in Roman Illyricum and Moesia.

With round-section crossbar and collared knop finials, deep D-section bow with vertical band of triangles extending along the outer face and onto the rectangular footplate with chamfered long edges; separate collared knop above the bow; hinged pin housed in catchplate to reverse. 16.5 grams, 60 mm



On the European art market before 2000. Ex collection of a Surrey, UK, gentleman; acquired on the UK art market.

This early form of crossbow brooch shows its origins in the P-shaped bow brooch type.