Roman Glass Flask

Standing nude with a chlamys draped over his left shoulder and fastened on the right shoulder, bearing the weight on his right foot with the left leg bent at the knee with the heel raised; the right arm extended and holding the remains of an attribute, the left arm bent at the elbow; his head turned slightly to the right with long luxurious hair swept back and gathered at the nape of the neck; set on a circular socle base; stripped and repatinated. 700 grams, 19 cm



Acquired at Mythes ét Légendes, 18 Place des Vosges, Paris, 14 May 1980. Private collection, France. Ex Jean Roudillon, Hôtel des Ventes de Belfort SARL, 22 October 2011, no.9. with Christie's, London, 2 April 2014, no.91. Accompanied by copies of the relevant Christie's catalogue pages. Accompanied by a copy of an Art Loss Register certificate no.S0007570. Accompanied by a copy of French passport no.132675 dated 7 December 2011. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12360-226681. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The figurine is of archaic style; it is probably a provincial work of a Gallo-Roman workshop. The prototype can be seen in the Apollo of Naxos in the Berlin Museum. The style of posture and movement can also be seen in the archaic bronzes of Falterona, the Louvre and Athens.

Flat-section penannular body with rounded terminals, the upper body divided into segments with vertical lines and each segment with four punched pellets, single punched pellet to each terminal. 30.6 grams, 61 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Depicting a nude blacksmith seated on a stool before a forge, hammer in his right hand, holding an object he is hammering with the other hand. 0.25 grams, 10 mm



Private collection, North Germany. with Gorny & Mosch, 14 December 2005, no.238. Accompanied by a copy of an Art Loss Register certificate no.S00075379. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Probably a Roman copy of Hellenistic subject. Some Roman ring intaglios were dedicated to Vulcan (Greek Hephaestus), god of the blacksmiths, artisans, and carpenters. Usually the god is represented standing or working in his forge, wearing a wide brimmed hat and a one-shouldered tunic, identifying him as a craftsman. In his right hand he holds a hammer over an anvil, and in his left a pair of long metalworking tongs. Sometimes he is naked, seated and working.