Roman Glass Finger Ring Collection

With a rectangular plaque with central void, phallus to one short edge and a stylised fist to the other. 25.5 grams, 55 mm



Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

In the Roman world the phallus was symbol of luck or fertility, and it as well was believed to have apotropaic functions. Pendants, amulets and small objects were worn by all sorts of people as symbols of protection, especially from young children according to Varro and Pliny the Elder. The phallus is commonly found on reliefs, frescoes and lamps from the Graeco-Roman world. This object can have been the quillon of a small dagger, but also hung as a charm from a tintinnabulum, a wind chime adorned with bells and intended to ward off evil.

With the head of Eros, the god of love, facing; supplied with a museum-quality impression. 0.76 grams, 9 mm



Private English collection, formed between the late 1970s and early 1990s. Private collection, London, UK.

Piriform in profile with a narrow neck and flared mouth with a chamfered rim, dimple base. 945 grams, 29.5 cm high



From the Xavier Guerrand-Hermès private collection. with Artcurial, Paris, 25 March 2014, no.39. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12959-245241.

On ancient glass, iridescence is the soft play of colour that develops as the surface ages and becomes silica-rich. Minute layers form over time and break light into shifting blues, greens and golds. It is not a modern finish but something time has drawn out of the material itself, so the pattern and palette are unique to each piece. Collectors prize good, stable iridescence because it lifts the form: ribs read more crisply, profiles glow, and simple vessels take on depth and movement. Museums now tend to preserve these surfaces rather than polish them away, recognising both their beauty and what they tell us about an object’s long life (though it is not, by itself, a dating test). For display, iridescent glass performs brilliantly under gentle, directional light, where the colours “turn” as the vessel is moved. Well-preserved, even iridescence of this quality is not common and adds materially to the presence and desirability of the piece.