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LOT 0919
Roman Glass Bracelet Group
3RD-4TH CENTURY A.D.
2 - 2 3/4 in. (31.18 grams total, 50-70 mm).
Comprising: a turquoise D-section bangle with a flattened panel to the upper face; an opaque round-section twisted bracelet with flattened terminals; a dark brown ceramic(?) keeled bangle with notched edges. [3, No Reserve]
ProvenanceCollected from 1970-1999.
From the collection of the late Mr S.M., London, UK.
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AUCTIONS:
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Roman Lead Commercial Weight of 1 Mna
Dated SE 230 (83/2 B.C.)Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,111
Square in plan with ribbed edge and hatched reverse; ETOYΣ ΛΣ (date) ΔHMOΣIA MNA (denomination) with border to initial lamda, two crossed cornucopiae, to left a monogram; latticework design to the reverse. 704 grams, 96 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12225-222343.
Such commercial weights were produced in cities currently or formerly under Seleukid control. The inscription ΔHMOΣIA ('public'), indicates that this was used as an official market weight. -
Roman Bronze Musical Flute
Circa 2nd-3rd century A.D.Sold for (Inc. bp): £3,900
An extremely rare aulos or tibia with round-section body, six circular holes to one side and a D-shaped hole to the reverse. 87 grams, 23 cm
Fine condition. Extremely rare.
From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11055-184396.
The flute was used for religious ceremonies and for entertainment. The pyrrhic, a war dance of Doric origin, was a rapid dance to the double flute, and made to resemble an action in battle. -
Large Roman Bronze Staff Finial with Bust of Serapis
Circa 2nd century A.D.Estimate: £50,000 - 70,000 (‡+bp*)
Opening Bid: £22,222
With luxuriant long wavy hair and characteristic vertical locks at the forehead, full beard with two large ringlets below the chin, wearing a chiton and a himation draped over the left shoulder, the head surmounted by a corn modius decorated with olive branch in relief, the bust supported on the back of an eagle standing atop an orb with spread wings, the eagle with its head slightly turned to the left, the feathers finely detailed; a finial from a staff or a ceremonial standard; repaired. 1.4 kg, 29.5 cm high
Repaired.
Ex private collection, South Germany, 1980. with Gorny and Mosch, Munich, 13 December 2003, no.74. with Christie's, New York, 8 June 2012, no.239 (US $120,000-180,000). Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11789-206489.
The Emperor Septimius Severus (193-211 A.D.) modelled many of his portraits based on Serapis. But it was under Hadrian that the refurbishment of the statue in the Serapeum increased the demand for small-scale images, like this one, probably made during his reign and used atop of a processional sceptre or standard for the cult of the god.
