Roman Glass Bracelet Fragment with Menorah Stamp

The goddess of love rising from the sea, standing nude and bearing the weight on her right leg; her head turned to the right and looking down, finely worked facial detailing with marked eyelids and shallow pupils; the bountiful hair tied back in a low chignon with six long ringlets falling on her shoulders, wearing a diadem; a narrow sash wrapped around her back, holding one end pressed against her left breast and the coiled end held in her right hand; standing on a pedestal base. 281 grams total, 16.5 cm high including stand



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12747-236332. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The goddess is depicted in the act of girding her chest with a fascia, similar to the one illustrated in the famous mosaics of Piazza Armerina, where the band is worn together with a subligaculum that covers her lower parts. It is modelled after a real two-piece bath costume of the ancient Romans.

Clad in a symmetrically incised late Roman toga, which was originally painted; the right hand covered by the robe and resting against his chest, the now lost left hand probably held a rank symbol or a scroll; short hair, cut according to the style of the Tetrarchy, wide eyes and pronounced lips; beard extended under the chin and on the throat; crepida sandal of Greek typology still visible on the right foot. 700+ kg, 206 cm including base

Fine condition. An impressive museum-quality display piece.

Acquired by L.H., Munich, Germany, prior to 1982. with H.v.C., Munich, Germany, in 1982, forming a central part of their family collection during the 1980s. Thence by descent to his son, C.M., Switzerland. Accompanied by a copy of a German cultural export licence. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a geological report No. TL3253 by geology consultant Dr R. L. Bonewitz. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12089-211955. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This statue of a Roman magistrate represents a high-ranking citizen with political and ritual responsibilities. The stylised facial features date it to the period of the Tetrachy under the Emperor Diocletian (284-305 A.D.), when representation of the human form began to show a concern for geometry and symmetry. A similar style can be seen in official portraits of Diocletian, Galerius, Constantinus Chlorus, and Maximianus Herculius. Despite the stylisation typical of the era, however, the sculptor of this lot has taken pains to add personal details, such as the dimpled chin and creased forehead. Its powerful resemblance to Imperial portraiture stems from the desire of magistrates to emulate emperors in the way they represented themselves. This is a piece of outstanding quality, and unlike other Late Roman sculptures, in which a portrait head is often attached to an earlier body, it appears to have been created as a whole. It shows exceptional attention to detail, including in the magistrate’s beautifully carved footwear. It is likely to represent an official of an Eastern Empire city, either in Greece or Illyria.

Of kraftig profilierte type with tapering bow with scooped sides, collar to the bow and spur beneath, swept forward edge to the foot with knop finial; spring and pin to reverse. 16 grams, 47 mm



From the private collection of John Fox, Nottingham, Nottinghamshire, UK, antiquarian and archaeologist; his collection assembled in the 1950s-1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.