Roman Glass Bead Necklace String

Modelled nude with legs thrust forward, left arm forward from the body, right arm held to the rear with hand forming a fist, diadem to the brow; mounted on a custom-made stand. 71 grams total, 78 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Unlike the British Museum statuette, our figure is represented in the heroic nudity of the warrior on horseback, even if the position is identical. It is very likely that the statuette represents one of the Dioscuri, Castor and Pollux, and perhaps it was part of a pair of twins on horseback.

With three extendable legs each topped with bust of Bacchus, his long hair collected in a crown of vine leaves and branches, wearing a panther skin exomis; the feet formed as feline paws; the middle part of the frontal leg formed as an S-curve topped with a panther's head with open jaws; restored. 9.9 kg, 101 cm

Traces of gilding over all the whole surface, fine condition, restored, excessively rare.

Ex collection of Dr Djafari (1900-1981), Kaiserslautern, Germany. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11801-206499.

Folding tripod stands were well known in the ancient world, in both Greek and Roman contexts. These folding supports for tables, bracers and cauldrons are known finds from important excavations in the Roman world, like Pompeii. The purpose of such folding stands varied: during the meal they were placed between the triclinary beds, and bowls and application plates were hung to the hooks at the back of the holders, here shaped like the heads of a Bacchus. They were also used for the fire in military encampments, or in the temples of the gods. Others were used as the support frames for bronze bowls, either for washing or for ritual purposes. Many were offered as funerary gifts, like the splendid example in the chariot grave of Környe. Roman folding tripods were also used in religious rituals (here clearly linked to the cult of the god of wine, as shown by the presence of panthers) and sacrifices. Burnt offerings and libations were offered to the gods in cauldrons that would have been attached to the hooks behind the heads on the upper section.

With a portion of the upper pectoral muscles still visible, part of a cloak (chlamys) gathered on the left shoulder. 9.95 kg, 29 cm wide



From an English private collection, 1970s-late 1990s. English private collection.

The original statue or bust represented an athletic type, probably a hero or a demigod, or the god of war, Ares. However, the presence of the cloak resting on the left shoulder could also recall statues of divinities, such as Zeus with his left arm raised, or Asklepios, or Hermes.