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LOT 0659
Roman Gilt Bronze Phalera with Theseus and the Minotaur
2ND CENTURY B.C.- 2ND CENTURY A.D.
2 in. (32 grams, 49 mm).
Domed roundel with high-relief design of combat between a bearded hero and a monster, wreath and rosettes to the rim.
ProvenanceFound near Sedgeford, Norfolk, UK, in the 1980s.
Acquired in the late 1990s.
Property of a Norfolk, UK, collector.
Cf. for surviving examples of this type of medallions or phalerae, often with an animal, compare various examples in the Staatliche Museen zu Berlin, inv. nos. 31630 and Fr. 1552 g 6-8; Babelon, E., and Blanchet, J.-A., Catalogue des bronzes antiques de la Bibliothéque Nationale, Paris, 1895, nos.12-13, 55, 65-66, 110, 132, 178, 193, 214, 264, 316-17, 359-60, 369, and 445; nos. 25, 28, 120, 143-44, 253, 301, 400, 434, 491, 622, 712, 715, 827, 844, and 1022.
FootnotesAccording to the legend, Theseus, prince of Athens, went to the island of Crete to kill a monster who was the son of queen Pasifae and a wild bull, although officially he was the son of Minos and Pasiphae. Theseus chased him into the labyrinth, killed him and found his way out with the help of the comb of Ariadne, daughter of King Minos. The myth has its representation in the Archaic, Classical and Hellenistic period, and was widely depicted in the Graeco-Roman world. The present repoussé appliqué was probably used as a furniture or horse harness ornament.
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LOT 0659
Roman Gilt Bronze Phalera with Theseus and the Minotaur
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
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Roman Coral Set Gold Pendant
1st-4th century A.D.Sold for (Inc. bp): £72
Conical sheet-gold cap with inset coral rod. 0.61 grams, 22 mm
From a late Japanese specialist collector, 1970-2000s. -
Life-Size Roman Marble Lower Torso
Circa 2nd century A.D.Estimate: £20,000 - 30,000 (+bp*)
Opening Bid: £9,850
Modelled in the round in cream-coloured marble; the hips and right leg of a slender male standing beside a column with the lower part of an animal at the base; the figure modelled with narrow hips and waist in contrapposto stance, genitals removed, muscular leg with slender ankle; adjacent column with remains of a branch or spur at the top, developing to a flared base with a crouching hare or rabbit; mounted on a custom-made stand. 101.4 kg total, 99 cm including stand
Ex Paris collection. French gallery, Paris, 1990-2000s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12088-213904.
Despite the loss, the semi-circular rise that separated the ribcage from the abdomen highlights the muscles of a young athlete or a hero. The statue could represent many male heroes or deities (Reinach, 1897, p.210 no.2, 817 no.4), but, by comparison with a similar sculpture in the Brussels Museum, it could refer to a rare image of the handsome and ferocious hunter Hippolytus, son of Theseus and the Amazon Antiope, killed by the curse of his father due to Phaedra’s deception. The presence of the small hare or rabbit at the base of the column could confirm the hypothesis of a hunter hero, and finds its parallel with the small animals (gecko and panther) visible on the Brussels sculpture. -
Roman Marble Head of a Bearded Man
2nd century A.D.Sold for (Inc. bp): £2,210
Carved in the round and probably from a life-size statue or bust of philosopher; depicting an adult male with short tousled hair and a longer 'rim' of wavy tresses at the brow; short curly beard descending to the neck; broad brow with deep-set lentoid eyes; possibly Hadrian, repaired and weather-worn. 13.3 kg, 27 cm
By repute found near Hadrian's Wall, UK. From a collection acquired on the UK art market, circa 1999. From an important Cambridgeshire estate; thence by descent.
This head of bearded man, from a statue or bust probably representing a philosopher, is very similar to the representation of the Emperor Antoninus Pius, and though not imperial, can be dated to his age. The bust produces a convincing illustration of how faithful subjects tried to resemble their contemporary Caesars. Although damaged and blackened by some fire or bad weather conditions, the bust of man is distinguished by its perfect execution and good craftmanship.
