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Roman Gemstone with Female Portrait Roman Gemstone with Female Portrait Roman Gemstone with Female Portrait
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Details

LOT 1027

Roman Gemstone with Female Portrait

1ST CENTURY B.C.-1ST CENTURY A.D.

3/8 in. (0.41 grams, 9 mm).

Ellipsoid in plan with intaglio profile female bust.

Provenance

From the collection of a London, UK, gentleman, 1970s onwards.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Literature

Cf. for a gemstone representing Athena stylistically similar Yildizhan, A. ‘a new mound site and necropolis in Nevsehir in the light of a gemme and other finds: Belkuyu’ in Lafli, E., Çetingöz, A., Veziroglu, E.M., Thoen, U., Izmir, 2021, pp.105-106, fig.1.

Footnotes

Based on similarities with coins and sculptures, the gemstone could date to the Late Hellenistic or Early Roman period. These similarities can be seen in the strongly marked lines of the dress, the pronounced shape of the mouth, and the squareness of the nose.

CONDITION
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AUCTIONS:

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LOT 1027

Roman Gemstone with Female Portrait

Sold for (Inc. bp): £117

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    The portrait head was initially meant to be assembled on a statue. Chisel marks at the neck level indicate a relatively late separation of the head from the body, which must have been twice its natural size. The working of the back of the head suggests that the sculpture was exposed only to the front. The search for realistic traits brings this head close to the Hellenistic portraits of the 3rd and 2nd centuries BC, representing socially disadvantaged people of different ages and situations, such as fishermen and peasants, in the so-called genre sculptures. This presentation would be in contrast to the supernatural proportions of the portrait, which should have represented an elderly, publicly known person, poet, or philosopher, exhibited in his city of origin. In this respect, it would be more suited to the representation of a Cynical philosopher, in the model of Diogenes of Villa Albani. The almond-shaped eyes without drilled pupils, engraved eyes, and the absence of a deep drilling technique on hair date the portrait between the 1st century BC and the 1st century AD.

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